February 2018 - Nashville Music Line

Shenandoah talk about ‘Reloaded’

‘Live’ album, plus 3 brand new songs

As I sat down with Marty Raybon and Mike McGuire, it was hard to believe that Shenandoah are celebrating thirty years of a career that gave us hits such as “Two Dozen Roses,” “Church on Cumberland Road” and “Next to You, Next to Me” among others. They are known for their matchless harmonies led by frontman Raybon, and founding member McGuire.

Even harder to believe: it’s been twenty years since Shenandoah released a country album. That all changes with RELOADED, available everywhere March 16. The new album, released by BMG, marks a new chapter in Shenandoah’s storied career.

Shenandoah are known for their dynamic live shows and the new album contains nine of the band’s best-loved tunes recorded live while on tour in 2017. RELOADED also includes three brand new bonus tracks produced by Jay DeMarcus of Rascal Flatts.

I caught up with Mike McGuire and Marty Raybon in Nashville a few days ago to talk about their decades-long career and the new album.

30 years in the spotlight

I started by reminding them that its almost thirty years since Shenandoah received their first CMA Awards. Now, years later, they are still being told, ‘You guys are the reason I got into music.’ I wanted to know how that made them feel.

Marty responded, “It’s really a special feeling, any time you hear anyone make a comment like that. I remember how it was. We had a single out, and we said, ‘You know what? We got a show and we’re gonna be opening for George Jones!’ or ‘We’re gonna be opening up for Merle Haggard!’ It would give you the opportunity to be able to visit with them and tell them how you felt about them and what their music meant to you.

“Nowadays,” he added, “you watch Aldean and Luke Bryan and Miranda Lambert get up and sing ‘Sunday in the South’ and you hear [artists] doing ‘Ghost in This House’ and ‘Church on Cumberland Road’ on The Voice and you get to meet them. It’s actually flattering. It’s certainly a respectful thing, because I know that when I had the opportunity to tell Merle Haggard and George Jones the same thing at different times in different venues, it was certainly coming from the approach of gratitude because someone had literally moved and changed my life to the point that I truly appreciated that.”

Jay DeMarcus produced Shenandoah’s new songs

I asked them to sum up, in one word, what it was like, working with Jay DeMarcus on the new album.

Marty quickly said, “A treat!”

“Lucky,” added Mike. “We were very lucky!”

I asked Mike how it came about, Jay producing the new songs.

“Jay called me,” said Mike. “He’d heard that Marty had rejoined the band after being gone for 17 years and he called to ask me if it was true. I said, yeah, it’s true. He’s been back for a few months now. So he said, ‘Look, I’m a huge Shenandoah fan and so are the other guys in Rascal Flatts. I’d love to take you guys in the studio and record some stuff and try to get a deal for you guys.’ He said that the first song they ever sang together as Rascal Flatts was ‘Church on Cumberland Road’ and that was our first number one. Continue reading “Shenandoah talk about ‘Reloaded’”

Double the fun for Jon Pardi

Back-to-back Number Ones

Left to Right: Jesse Frasure, Ashley Gorley, Rhett Akins, Jon Pardi, Bart Butler (also producer of ‘Heartache’), Brice Long. Photo Credit: Preshias Harris

It was party time for Jon Pardi and the writers of his two recent Number One hits, ‘Dirt on My Boots’ and ‘Heartache on the Dance Floor.’ The Pardi party was at BMI’s Nashville HQ and was co-hosted by ASCAP, BMI and SESAC.

Honored for writing ‘Dirt on My Boots’ were Rhett Akins, Jesse Frasure and Ashley Gorley. The awards for ‘Heartache on the Dance Floor’ went to songwriters Bart Butler, Brice Long and the artist himself, Jon Pardi.

Before the official presentations, Pardi sat down with his fellow songwriters for some Q&As with the music media.

Pardi has been touring with Miranda Lambert and will continue through March. Speaking about those tour dates, he said, “Being out west with Miranda was a lot of fun, specially since it was January! Last year I spent January in Canada. Out on the west coast there was sunshine!”

‘Paul played this stage, now here we are!’

He added that he has been performing in some markets he had not been to before. “We were up in Washington and Oregon and it was just like, packed houses. We played the venue where I went and saw Paul McCartney last year. It was kinda like ‘Paul played this stage and now here we are playing this stage! It’s a packed house and people are going crazy. San Diego was great. Everything was great about the Miranda tour, and we’re still going.”

I asked Jon about performing at the New Faces show at this year’s Country Radio Seminar (CRS) in January. CRS in general – and the New Faces Show in particular – is considered a ‘golden ticket’ to radio airplay because artists are playing before a captive audience of hundreds of radio program directors and air personalities.

“I give fans what they want,” said Pardi, “Whether they’re program directors or not. I mean, I’m not, ‘Oh, there’s no program directors here, I can slack off tonight.’ I just look at it like that and I give it my all anyway I can. And I think that programmers know that. If I [go to a station] they know I’m gonna show up and have a good time and give it my all.”

Boots seem to figure prominently for Pardi, both as footwear and as musical success. ‘Dirt on My Boots’ is his second consecutive Number One, following 2015’s Platinum-selling ‘Head Over Boots.’ Both ‘Boots’ songs are cuts from his second studio album, ‘California Sunrise.’

Pardi said that he thought Mike Dungan, Chairman/CEO of Universal Music Group, might not want to release another song with ‘boots’ in the title so soon after ‘Head Over Boots.’ However, that wasn’t a problem. “He [Dungan] said, ‘I don’t care about back-to-back boot songs, I just care about back-to-back hits,’” recalled Pardi.

Rhett’s dirty boots inspire song

Rhett Akins ‘dirty’ boots. Photo Credit: Preshias Harris

Speaking about the writing session that produced ‘Dirt on My Boots,’ songwriter Ashley Gorley noted that Pardi and the other writers all had very busy schedules and the only timeslot that worked for all of them was 8:00a.m. “When Rhett arrived, he said, ‘I am NOT a morning person,’ but we all wanted to be a part of this,” noted Gorley.

As they got started, Akins came up with an idea. “I remember looking at my boots and they were really dirty,” he said. “I looked down and said ‘What about the dirt on my boots?’”

A ‘ten year town’ for Pardi

Pictured (back, L to R) Hori Pro’s Courtney Crist and Keithan Melton, Sony/ATV’s Josh Van Valkenburg, BMI’s Bradley Collins and Word’s Janine Ebach; (front, L to R) Song Factory’s Jennifer Johnson, Bill Butler Music’s Bill Butler, Bart Butler, Pardi, songwriter Brice Long and SESAC’s Shannan Hatch. Photo: BMI

During the awards presentation, Pardi noted that he has been working on his career in Music City for several long years. “Thank you so much for believing in me,” he said. “Thank you everybody. You guys know who you are. You’ve been there since day one. I’ve been here for a while now and Feb. 23, 2008 is when I moved to town. Ten years later, I have three number ones and we’re at a double number one party. Thank you. Thanks for believing in me.”

As with most apparent ‘newcomers,’ Jon Pardi has worked long and hard at his career leading up to this afternoon in the limelight. Growing up in Dixon, California, he started writing songs when he was 12 and was performing in a small band by his mid teens. Leaving high school, he headed to Nashville with his eyes on a career in music. As he noted in his comments above, it has taken him years to get where he is today.

More about Jon Pardi, including upcoming tour dates at www.jonpardi.com

‘Craving You,’ ‘Unforgettable’ score No. 1 awards

Thomas Rhett picks up ‘Gold’ album, too

Nashville is turning into a party town. A ‘Number One’ party town, that is, with frequent festivities to honor the writers of recent chart toppers.

It was a ‘twofer’ party for Thomas Rhett on February 16, as the writers of two of his recent hits, ‘Craving You’ and ‘Unforgettable,’ were recognized for their achievements. The party at Von Elrod’s was jointly hosted by ASCAP and BMI, commemorating Rhett’s eighth and ninth career Number Ones.

(L to R) Julian Bunetta, Jesse Frasure, Ashley Gorley, Thomas Rhett, Shane McAnally, Dave Barnes and Dann Huff attend the BMI Thomas Rhett # 1 Party on February 15, 2018 in Nashville, Tennessee. (Photo by Jason Kempin/Getty Images for BMI)

Dave Barnes and Julian Bunetta were recognized for writing Rhett’s RIAA Platinum-selling mega hit, ‘Craving You,’ that also featured the voice of Maren Morris. Interestingly, it was not certain that ‘Craving You’ would be released with the Maren Morris backing vocals. Versions were mixed both with and without Maren’s vocals. On comparing the two, Rhett and his team decided that the ‘with’ version was better, even though he had originally felt that ‘Craving You’ wasn’t really a duet song.

Jesse Frasure, Ashley Gorley and Shane McAnally co-wrote “Unforgettable” with Rhett, released as the second single from Rhett’s 2017 album, ‘Life Changes.’ Frasure, Gorley and McAnally are all veteran hit writers with literally scores of No. 1 notches on their belts.

Both Frasure and Gorley better not stray too far: they’ll be back on February 21 to receive awards as writers of John Pardi’s No. 1 hit, “Dirt On My Boots.” co-written with Rhett Akins – who happens to be Thomas Rhett’s dad.

‘Life Changes’ goes GOLD

(L-R): Big Machine Label Group’s Nicole Csabai, BMLG’s Mike Rittberg, G Major Management’s Virginia Davis, Thomas Rhett, BMLG’s Scott Borchetta, BMLG’s Allison Jones, The Valory Music Co.’s George Briner and BMLG’s Jake Basden. Photo Credit: Jason Kempin/Getty Images

If that wasn’t enough, Rhett was also surprised with a plaque to commemorate ‘Life Changes’ (The Valory Music Co.) earning RIAA Gold Certification for achieving 500,000 units sold less than six months after its release. Additionally, his current Top 5 single “Marry Me” has been certified Gold as it continues to climb the Country radio charts.

As a songwriter, Thomas Rhett is a force to be reckoned with. Next week, Thomas Rhett will be recognized as a CMA Triple Play Award recipient, which honors songwriters who have penned three No. 1 songs within a 12-month period (“Die A Happy Man,” “Star of the Show” and Michael Ray’s “Think A Little Less”).

Rhett is keeping up the momentum with his ‘Life Changes Tour 2018,’ set to kick off in April. For more information and for a full list of upcoming tour dates, visit www.ThomasRhett.com.

Preshias Harris is a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology 101: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com

Kip Moore, songwriters celebrate No. 1

‘More Girls Like You’ lead single from ‘Slowheart’

(L to R): Steven Lee Olsen, David Garcia, Kip Moore, Josh Miller. Photo credit: Preshias Harris

MCA Nashville artist Kip Moore was at The Hutton Hotel’s Analog on Tuesday, February 13 to celebrate with fellow songwriters of his newest Number One, “More Girls Like You.” The party, co-hosted by ASCAP and BMI, honored the song’s four writers David Garcia, Josh Miller, Steven Lee Olsen and Moore.

“More Girls Like You” is the lead single from Kip’s third studio album, Slowheart, following 2012’s Up All Night and 2015’s Wild Ones.

Kip has undeniably paid his dues on his trek to stardom. He made his first public appearance singing at a Mellow Mushroom in Valdosta, GA, and moved to Nashville in 2004. He was signed to a songwriting deal with the help of producer/songwriter Brett James. It would be a further eight years before Kip was signed to a recording contract with MCA.

“There was no Plan B”

During the media session before the award presentation, I asked Kip what he did with his career during those long eight years to keep his eyes on the prize. With a smile, he said, “It was knowing I wasn’t going to be happy doing anything else. There was no Plan B.” He admitted, however, “It was a battle to keep one foot in front of the other.”

(L to R): BMI’s Bradley Collins, songwriters Steven Lee Olsen, David Garcia and Josh Miller, Moore and ASCAP’s Evyn Mustoe. Photo credit: Ed Rode

The four writers reminisced about the way “More Girls Like You” came about. Steven Lee Olsen (whose first No. 1 as a writer was the Grammy-nominated “Blue Ain’t Your Color” for Keith Urban) noted that when the writers got together, “something magical” happened. “We started talking and that’s how it started.”

“It started falling together fast,” added Kip. “They knew where my head was, coming back from Cost Rica!”

“Kip almost didn’t show up,” said Josh. “He was headed to the lake for some wake boarding.” We were reminded that Kip has a passion for the water, having been something of a ‘beach bum,’ surfing in Hawaii before making the commitment to come to Nashville.

Discussing tour plans, Kip said he is joining Luke Bryan on his ‘What Makes You Country’ Tour. “Luke has always been a gracious and nice guy,” said Kip. “I’m looking forward to touring with Luke and the Cadillac Three.”

CMA Songwriters’ Series in Europe

Kip will soon be crossing the pond for concerts in Dublin Ireland, Glasgow Scotland and London England as part of the CMA Songwriters’ Series. He’ll be joining his old friend Brett James for the European dates, along with Luke Combs, Natalie Hemby and Nicolle Galyon. In addition to a packed U.S. tour schedule, Kip also has 2018 shows booked in Canada and Australia.

Kip’s story of his arduous journey to the top is yet another reminder to aspiring artists and songwriters that there is no such thing as ‘overnight success.’ There will always be a battle to ‘put one foot in front of the other’ as he put it. For Kip, there was no Plan B.

For tour dates and more info on Kip Moore’s new album Slowheart, go to http://www.kipmoore.net

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Brett Young celebrates third No 1, “Like I Love You”

“We used our own money to cut the demo”

Jesse Lee and Brett Young answer questions before the No. 1 party. Photo: Preshias Harris

Big Machine Label Group’s Brett Young celebrated his third Number One at a party honoring him and co-writer Jesse Lee, Monday, February 12. “Like I Love You” is his third chart-topper and comes just over a year since the release of his debut self-titled album. The party was co-hosted by ASCAP and BMI.

Brett is one of only three acts in the Country music genre to achieve RIAA ‘Gold’ certification for an album released in 2017. His breakout single, “In Case You Didn’t Know,” has already reached 3X Platinum status, making him the only debut artist since 2014 to achieve that level. He is also the only new Country artist with a 2017 song to go multi-Platinum, too. All three Number Ones are from his debut album.

Second No. 1 for Jesse Lee

Pictured (L-R): Scott Borchetta, BMI’s David Preston, Jesse Lee, Ole’s John Ozier, Brett Young, ASCAP’s Michael Martin, BMLG Records’ Jimmy Harnen and Big Machine Music’s Mike Molinar. Photo Credit: Ed Rode

Co-writer Jesse Lee was celebrating her second No. 1 as writer, following 2016’s “Peter Pan,” a hit for Kelsea Ballerini.

“Like I Loved You” spent three weeks at Number One, but its release as a single was by no means a guarantee, following the success of Brett’s two previous hits.

“My first two singles were happy love songs,” said Brett at a pre-presentation media session. “Then Jesse and I wrote this one that is really different. My songs are like my babies. A part of me is attached to that song,” he noted. “I fought for getting this song on my record. We used our own money to cut the demo.”

Speaking about the writing session that resulted in “Like I Love You,” Brett said that this was a different kind of co-write, too. “We’d never met before. We went to lunch then came back and wrote it. That was in late 2014.”

The long road to Nashville

Both Brett Young and Jesse Lee might seem like newcomers, but as with most successful people, that isn’t really the case. At the media session, Brett noted that he’d been playing and performing for 14 years before moving to Nashville.

Jesse Lee is not new to the music business either. Signed to Atlantic Nashville in 2007, Jesse had some minor chart success as a recording artist, but then took a different path.

‘I reinvented myself and started to write’

Speaking of her early career as an artist, she said, “People didn’t want me one the radio! So I reinvented myself and started to write. Then I realized I was getting into publishing companies because of my writing not my artist talents.”

Reminded that Nashville is often referred to as a ‘ten-year town’ when it comes to developing a career in music, Jesse laughed and said, “it’s been more than a ten-year town for me. It’s been eleven!”

Speaking about the diversity of his musical styles and interests, Brett said, “I grew up with rhythm and blues and soul music, so You will hear the soul in my music.”

Brett is about to head out on Thomas Rhett’s ‘Life Changes Tour 2018’ this spring. Find tour updates at brettyoungmusic.com.

“it’s been more than a ten-year town for me. It’s been eleven!” Jesse Lee

ASCAP “I Create Music” Expo 2018 set for May 7 – 9

Unforgettable experience” for music creators

ASCAP has announced the first wave of music creators who will take the stage at their 2018 “I Create Music” EXPO. Among these ASCAP members from across genres and generations are multi-platinum recording artist Jason Mraz, Grammy Award-winners Marc Cohn, Darrell Brown and Dan Wilson, multi-time ASCAP Latin Songwriter of The Year selection Claudia Brant, jazz legend Marcus Miller, Songwriters Hall of Fame inductees Desmond Child and Paul Williams, rising pop star Billie Eilish and her close collaborator Finneas O’Connell. Now in its 13th year, the ASCAP “I Create Music” EXPO is the largest conference of its kind in the United States, attracting over 3,000 music creators for three days of panels, workshops, master classes, keynotes and one-on-one sessions with the industry’s top hitmakers.

The 2017 “I Create Music” EXPO included nearly 200 panelists from across the music business covering dozens of compelling topics, from Congressional legislation benefiting songwriters to expanding the role of women in film music to a case study with the team behind Justin Bieber’s Purpose. The 2018 EXPO will feature a comparable amount of panels and panelists, with a host of noteworthy lineup additions planned for the coming months. This will include the announcement of 2018’s keynote speaker, an honor previously given to Katy Perry, Stevie Wonder, Quincy Jones and Justin Timberlake.

Registration now open

Registration is now open for this year’s EXPO, to be held Monday, May 7 through Wednesday, May 9 at the Loews Hollywood Hotel in Los Angeles. ASCAP’s New Year discount is active on all pricing levels through February 14 at www.ascap.com/exporegister.

Ashley Gorley named Songwriter of the Year

Blake, Kelsea, FGL also win top awards

(L-R): MusicRow Publisher/Owner Sherod Robertson, Ashley Gorley and MusicRow Chart Director Alex Kobrick. Photo: Preshias Harris

Ashley Gorley has received yet another honor. At the MusicRow Magazine’s 16th annual Country Breakout Awards, Gorley received the Songwriter of the Year Award. The award goes annually to the songwriter with “the most songs that commanded country radio in … secondary markets,” according to MusicRow Publisher and Owner, Sherod Robertson. It was Gorley’s second consecutive win.

The Awards ceremony was part of MusicRow’s annual ‘Country Radio Meet & Greet’ held at the Listening Room Café in Nashville. As before, it was held during the first day of the Country Radio Seminar (CRS). Although it is not part of the official CRS program, the event always attracts large numbers of radio air personalities and program directors, as well as members of Nashville’s music community.

Seven Number Ones in 2017

Gorley was honored for the remarkable achievement of co-writing seven Number Ones on the 2017 MusicRow charts. Among those songs: Blake Shelton’s “A Guy With a Girl” that was Gorley’s 30^th Number One as a writer.

Gorley’s other MusicRow Number Ones for 2017: Thomas Rhett’s “Unforgettable,” Jon Pardi’s “Dirt On My Boots,” Dierks Bentley’s “Black,” Chris Janson’s “Fix A Drink,” Brad Paisley’s “Today” and Billy Currington’s “Do I Make You Wanna.” Gorley is also the only songwriter to have received the ASCAP Songwriter of the Year Award five times, a record that he set in 2017.

A native of Danville, Kentucky, in 2011 Gorley partnered with Combustion Music and Warner/Chappell Music to start up Tape Room Music, his own music publishing company.

Blake, Kelsea Artists of the Year

At the Country Breakout Awards, Blake Shelton earned the Male Artist of the Year Award for more spins than any other male artist on the MusicRow Country Breakout Chart, achieving 83,208 spins reported by stations on MusicRow’s panel. His spin total included three No. 1 hits on the Country Breakout chart: “I’ll Name The Dogs,” “A Guy With A Girl” and “Every Time I Hear That Song.”

Kelsea Ballerini. Photo: Sara Barlow/MusicRow

Kelsea Ballerini was recognized as Female Artist of the Year with 80,928 reported spins. Kelsea had two No. 1s on the MusicRow Country Breakout chart with “Legends” and “Yeah Boy.” This was Kelsea’s second consecutive win in this category.

FGL nab 4th win; Combs, Owens honored

The Group/Duo of the Year Award went to Florida Georgia Line for the fourth consecutive year with 76,938 spins in 2017. FGL’s Brian Kelley and Tyler Hubbard topped MusicRow’s chart with “Smooth” and also with “God, Your Mama and Me,” a collaboration with Backstreet Boys.

Luke Combs received the Breakout Artist of the Year Award. Combs’ songs, including the Platinum-certified hit “Hurricane,” racked up 78,978 spins on reporting stations. His debut album, ‘This One’s For You,’ has already been certified Gold by RIAA.

Shane Owens took home the Independent Artist of the Year Award, gaining more spins than any other indie artist in 2017 with a total of 33,428 spins. Owens’ songs, including “19” helped him lead the pack of independent artists.

Capitol Records Nashville locked in an unassailable 14^th win as MusicRow’s Label of the Year. The UMG imprint scored 457,962 spins in 2017 with airplay from artists such as Darius Rucker, Dierks Bentley, Keith Urban and Carrie Underwood.

The annual MusicRow Country Breakout Awards go to artists, songwriters and labels that have achieved the most spins as reported by secondary market radio stations that report to the MusicRow Country Breakout chart.

Full details and more can be found in the February/March issue of MusicRow magazine and online at musicrow.com.

Six songwriters honored at Number One party

Dan + Shay celebrate two consecutive Number Ones

What’s better than a Number One party? A DOUBLE Number One party, and that’s what happened Tuesday January 30^th for writers of two of Dan + Shay’s recent chart-toppers. The double-header, co-hosted by ASCAP and BMI, was held at ASCAP’s Nashville HQ.

“From the Ground Up” and “How Not To” are the second and third U.S. Country Airplay chart toppers for Warner Bros. Nashville artists Dan + Shay (Dan Smyers and Shay Mooney) following 2015’s “Nothing Like You,” a cut from the album WHERE IT ALL BEGAN. The two latest Number Ones are both cuts on OBSESSED.

The honorees for “How Not To” were songwriters Kevin Bard, Paul DiGiovanni and Adam Hambrick. Publishing honors went to Kevin Bard Music, Ole Red Cape Songs, Paulywood Music, Sony ATV Music Publishing, Red Like The Sunset Music and Universal Music.

Accepting songwriters’ awards for “From the Ground Up” were Chris DeStafano, Shay Mooney and Dan Smyers, while the publishers’ nod went to Beats and Banjos, CDS Words & Music, Shay Mooney Music, Sony ATV Publishing and Warner/Chappell Music Publishing.

Inspired by grandparents’ long-lasting love

From left: Dan Smyers, Shay Mooney, Chris DeStafano talk during media session. Photo: Preshias Harris

At a pre-presentation media session, Dan, Shay and Chris talked about the origins of “From the Ground Up.” The idea was sparked by a very personal incident. “Driving back from my grandfather’s funeral, we ended up at [Chris] Stefano’s place,” said Dan. “When Chris stepped outside to take a call, [Shay and I] started talking about how both our grandparents were married for 65 years. it so incredible to married for 65 Years!” It was from that discussion and family memories that the song took shape. “We knew we had something special and it was written in about 45 Minutes,” Dan added.

‘Personal moments’ shape songs

Personal life moments are often the genesis for songs, as Dan and Shay can attest. During the media session, they recalled writing “When I Prayed For You.” The song, about a soon-to-be-father praying for his child, was featured in the movie, “The Shack.” Shay noted that it was written when he and his wife Hannah were expecting their daughter, Asher. Anticipating the birth of a child in real life added poignancy to the writing, Shay recalled.

Getting back to “From the Ground Up,” Chris DeStefano said, “It’s amazing to me to be part of a song that fans can connect with.” Chris is no stranger to chart toppers, having written or co-written Number One songs for Miranda Lambert, Carrie Underwood, Luke Bryan, Brett Eldredge, Jason Aldean and more. “I won’t ever take it for granted, being a songwriter,” he said.

Wexford, Pennsylvania, native Dan Smyers and James Shay Mooney (from Natural Dam, Arkansas) met in Nashville in December 2012 and began songwriting together. They were quickly signed to Warner/Chappell Music. The following year, their first single – “19 You + Me” – went to Country radio. Although it never topped any chart, the song continued to sell steadily since then and has since been certified Platinum by RIAA.

Pictured (l-r): Songwriters Chris DeStefano, Paul DiGiovanni, Kevin Bard, Adam Hambrick and Dan+Shay’s Dan Smyers and Shay Mooney. Photo: Ed Rode/ASCAP

On the road with Rascal Flatts

Continue reading “Six songwriters honored at Number One party”