Month: August 2019

‘Breaking Artists’ series offers inspiration

NATD brings in panel of experts with straight talk

By Preshias Harris

Being ‘good’ is not good enough. Aspiring artists heard that sobering statement from the platform as they met with members of Nashville’s music community at an NATD seminar on Tuesday, July 06.

The event was part of the NATD Speaker Series on the subject of ‘Breaking Artists.’ The series, presented by the National Association of Talent Directors (NATD) focuses on the various pathways available to artists in the country music space, both signed and independent.

The meeting was preceded by a pop-up two-song showcase by Avenue Beat. See note, below.

There were words of encouragement as well as some home truths from members of the panel about the do’s and don’ts of developing a successful career in music.

The featured speakers were:

  • Leslie Fram, Senior Vice President of Music Strategy and Talent, Country Music Television (CMT)
  • Phil Guerini, Vice President Music Strategy, Disney Channels Worldwide, and General Manager, Radio Disney Networks
  • Jordan Pettit, Director of Artist Relations and Programming Strategy, Grand Ole Opry

The event was moderated by Todd Cassetty of Cassetty Entertainment.

Artists “must be ready”

It was apparent that all three organizations represented by the panelists make a point of recognizing and developing new talent.  But they all agreed that, too often, emerging artists come to them before they are ready. Continue reading “‘Breaking Artists’ series offers inspiration”

Blake Shelton, songwriters bless ‘God’s Country’

No. 1 party celebrates ‘fastest rising’ chart topper

By Preshias Harris

Blake Shelton was in God’s Country on Wednesday, thanks to songwriters Devin Dawson, Michael Hardy and Jordan Schmidt.  More precisely, he was at a Number One party that was held at Ole Red in Nashville, which of course is in God’s Country!

At the media meeting before the awards presentation ceremony, Shelton said he was on a tractor, working on his farm in Oklahoma when he received the demo of the song, “God’s Country,” on his phone.  He recalled, “I was trying to drive and look at my phone at the same time and I figured out a way to play the song inside this machine through the Bluetooth that it had. And that’s when I heard “God’s Country” for the first time.”

(L – R): Devin Dawson, Michael Hardy, Jordan Schmidt, Blake Shelton. (Photo: Preshias Harris)

Turning to the three songwriters, he added, “I was literally working in the spot where, in the video, where we burned the tractor.”  He said that he immediately called producer Scott Hendricks who had sent him the demo and said, “I don’t know where the song came from, but that makes me want to make another record.”

A very fast ‘farm-to-table’ song

“God’s Country” (Warner Bros. Nashville) had one of the fastest journeys ever to the top of the Country singles chart. The speed with which Shelton recorded the song so soon after hearing it and its rapid success took the song’s writers by surprise. “It was a very fast ‘farm-to-table’,” noted Hardy. The song was written on a Thursday, Blake heard it that weekend and by Monday he had recorded it. It was also the fasted song to achieve Platinum status from the RIAA in more than a year.  So far in 2019, it holds the distinction of being the ‘most streamed country song.’ Continue reading “Blake Shelton, songwriters bless ‘God’s Country’”

Mechanical Licensing Collective gets go-ahead from U.S. Copyright

MLC will oversee collection of digital royalties for songwriters

By Preshias Harris

U.S.-based songwriters have a new champion in their corner. In July, the U.S. Copyright Office chose the industry-consensus Mechanical Licensing Collective, or MLC, to be the new agency to oversee licensing of digital mechanical royalties for American songwriters.

“The cost of collecting our royalties is, for the first time, paid for by the streaming companies instead of being deducted from our songwriter earnings.” – Steve Bogard, President, NSAI

As digital distribution of music grows and CD sales decline, songwriters have found it increasingly difficult to track royalties that are rightfully theirs.  The Music Modernization Act (MMA) became law in October 2018 and set in motion the process to appoint an entity to oversee licensing of digital royalties.

Prior to the adoption of the Music Modernization Act, streaming services such as Spotify and Apple Music themselves were responsible for identifying copyright owners and paying royalties.  However, in many instances, streaming companies were using songs without proper licenses.  In such cases, music publishers and songwriters had to resort to costly lawsuits or simply give up the fight. Now, the MLC will be charged with identifying songwriters and copyright owners and paying them royalties when their songs are played on a music streaming service.

Strong approval from songwriters

Continue reading “Mechanical Licensing Collective gets go-ahead from U.S. Copyright”

Jordan Davis’ No. 1 party was a family affair

“Take It From Me” co-written with brother Jacob Davis and Jason Gantt

By Preshias Harris

It was a family affair – sort of – for Jordan Davis as he celebrated his second Number One song.  The family tie-in?  He co-wrote the song, “Take It From Me,” with his brother Jacob Davis along with Jason Gantt. It was a “number one” in more ways than one: this was the first No. 1 as writers for both Jacob and Jason.

L to R: Jacob Davis, Jordan Davis, Jason Gantt at the No. 1 party. Photo credit: Preshias Harris

Jordan, Jacob and Jason met with media to talk about the song before the official presentations hosted by the performing rights organizations, ASCAP and BMI. The party took place at the venue Ruby in Nashville on Tuesday, July 30.

Exactly one year to the day

I asked Jordan if he realized it was exactly one year ago – July 30, 2018 – that we had all gotten together to celebrate his previous No. 1.

“Oh my gosh, you’re right!” he said. “Hey, have you been talking to my mama? She reminded me yesterday that it was exactly four years to the day that Jacob and me played the Bluebird Café for the first time!”

Jordan made a point of thanking the songwriters in Nashville who accepted him even “when I wasn’t writing good songs like this.”  He said those writers continued to stick with him instead of kicking him out and replacing him with another writer.

Second No. 1 from Home State

Continue reading “Jordan Davis’ No. 1 party was a family affair”

Morgan Wallen raises a toast with “Whiskey Glasses”

Happy heartbreak song written by Ben Burgess and Kevin Kadish honored at No. 1 party

 By Preshias Harris

Some songs just hit you right away, and that’s how it was for Morgan Wallen when he heard the demo for “Whiskey Glasses.”

“I heard it and we were like, Hell yeah!” said Morgan during the media meeting prior to the presentations.  He and the song’s two writers, Ben Burgess and Kevin Kadish were at the Sutler in Nashville on Monday, July 29 to celebrate the chart-topping success of “Whiskey Glasses.”  The song is the third single from Morgan’s debut album, If I Know Me, produced by Joey Moi. The celebration was hosted by ASCAP and BMI.

(L to R): Kevin Kadish, Morgan Wallen, Ben Burgess. Photo: Steve Lowry

Morgan received national attention when he competed on season 6 of The Voice in 2014 where he joined Team Usher and was later ‘stolen’ by Team Adam Levine.  Although Morgan was ultimately eliminated in the Playoffs, his performance led to a record deal with Big Loud Records and the album If I Know Me.

Morgan knocked Blake Shelton from No. 1 spot

Continue reading “Morgan Wallen raises a toast with “Whiskey Glasses””