Nashville Music Line - Page 26 of 48 - for singers and songwriters

James Robert Webb balances music and medical careers

“Now We’re Gettin’ Somewhere” new single from upcoming album

When you meet most singer-songwriters, you discover they have a ‘day job,’ at least at the start of their music careers. Maybe they are restaurant servers or they are delivering pizzas. James Robert Webb has a day job and he has no intention of giving that up. He is a doctor with a medical practice in his home state of Oklahoma, as well as a blossoming recording career and a new album being produced in Nashville. As he told me during our interview (below), “I can’t abandon my patients.” His hashtags say it clearly: #DoctorByDay #SingerAtSundown

The upcoming album and the first single from the album, ‘Now We’re Gettin’ Somewhere,’ are under the direction of Grammy-winning producer Buddy Cannon. The single is now available everywhere on digital platforms. I recently met up with James Robert Webb to talk about his life and music.

Preshias Harris: OK, tell us the secret of how you balance a successful medical practice and a successful music career.

James Robert Webb: Sometimes I wonder how well I balance it. The other thing is, I’m a father, too. I’ve got my wife and three kids. The hardest thing for me is to make sure I’m spending enough time with the family, with all the travel and everything. But I don’t do a lot outside of music. My hobbies are all replaced by songwriting.

PH: So, no golf?

Keeping priorities straight

JRW: Exactly! Classically, as a doctor I’m not out playing golf. I’m not going out to Africa and shooting trophy lions or anything like that! [laughs] Most of my free time involves playing somewhere. But for me, it really comes down to having to keep the priorities straight. It might sound egotistical and greedy, but my number one priority is my health and me. Because if I crumble then everything else crumbles after that. Then it has to be my family, and third is my medical practice, because I always have to have that, and I can’t abandon my patients. And after that it’s music. That sounds like a lot of things to do, but you just get up every day and you’ve got to do those things in order.

“My goal is not to go out and be a star and play on stage for fame and glory or whatever. My goal is to create the best music. Music that can stand the test of time. To do the best I can with the gift I’ve been given.” – James Robert Webb

PH: What is one of the hardest things that you have to face in your dual careers?

JRW: It’s being away from my family, away from my kids. We would have moved here to Nashville, but we have a lot of family roots, both sides of the family, back home in Tulsa and Texas. So there’s a lot of support structure there, there’s a lot of people. Plus, my kids are in the age range of fourteen down to eight, so I don’t want to uproot them. But the good this is we have FaceTime, things like that we didn’t have ten or twenty years ago, to see people face to face.

PH: Your single, “Now We’re Getting’ Somewhere,” was released last month. Can you give me some “media tidbits” for what we can expect for your album?

JRW: A media tidbit… well, I’ve got a song I’m cutting by Bob McDill that has never been recorded. I love Bob McDill, he’s in the Hall of Fame. He’s been retired for a number of years.

PH: He’s one of those honest songwriters. Continue reading “James Robert Webb balances music and medical careers”

Darius Rucker celebrates Number One ‘For the First Time’

Co-writers join Rucker at Number One party

Darius Rucker, Derek George and Scooter Carusoe were honoured at a Number One party, hosted by ASCAP and First Tennessee Bank held at ASCAP’s Nashville office. ‘For the First Time,’ Rucker’s ninth Number One, produced by Ross Cooperman, is the second single from the album, ‘When Was the Last Time’ (Capitol Nashville).

‘For The First Time’ is the third Number One for Derek George as a writer. For Scooter Carusoe, the song is his fifth as a songwriter and his fifteenth as a publisher.

Before the award ceremony, Darius, Derek and Scooter sat down to take questions from music industry journalists.

L to R: Derek George, Darius Rucker, Scooter Carusoe. Photo credit: Preshias Harris

Darius recalled the writing session during which ‘For The First Time’ was written. “For me, we started out with just that first line, I mean, I didn’t even need to hear the chorus. I’m like, that’s cool,” he said. “It was one of those songs; I was just writing about me again, once we started writing. It’s a song that, at this point in my career, it was a really cool song to write. To have so much fun as I’ve had, thinking about all the things I said I was going to do when I was a kid, if I would ever make it, and now, everything in that song came from my bucket list.”

‘That never, ever get’s old’

Asked what it felt like when he heard that the song had reached Number One, Darius said with a chuckle that he found out when he was on the road. “I want to say something that Charles Kelly said to me that will always stand the test of time. He said, ‘that never gets old.’ And I was like, yeah, that never, ever gets old. It’s always awesome.” Continue reading “Darius Rucker celebrates Number One ‘For the First Time’”

Brett Young, Sean McConnell honored for ‘Mercy’

Brett Young’s 4th Number One

It was party time at Nashville Underground Wednesday afternoon. A mix of friends, family and Nashville music biz execs were on hand to mark Brett Young’s Number One hit, ‘Mercy.’ The song, co-written by Young and Sean McConnell, was the fourth consecutive Number One from Young’s debut self-titled album.

Chalking up four Number Ones is an achievement for any artist. When those four are also consecutive chart-toppers AND all from an artist’s debut studio album, that achievement puts Young up there where the air is rare. Additionally, all four have been certified Platinum by the RIAA (Recording Industry Association of America).

It says so on the shirt!

(L-R): BMLG Records’ Madeline Farr, Michelle Kammerer, Jimmy Harnen, Andrew Thoen, Brett Young, Matthew Hargis, Cherylynne Nader, Producer Dann Huff

To mark that remarkable feat, Brett Young’s label team at BMLG (Big Machine Label Group) and producer Dann Huff surprised Young with a special ‘uniform.’ They came onstage wearing tee-shirts with the number ‘4’ across the front. Young put on his own ‘4’ shirt and posed for photos as he was presented with a unique ‘4 #1s’ plaque.

Those ‘uniforms’ might have reminded Young of what could have been a different career path. A stand-out high school pitcher, he was scouted by both the Tampa Bay Rays and the Minnesota Twins. But following an elbow injury, he focused on a career in music. Baseball’s loss is country music’s gain.

Sean McConnell (left) and Brett Young field media questions. Photo credit: Preshias Harris

Before the presentation of the awards, Young and co-writer McConnell took questions from music industry media. Young was asked if having a Platinum-certified album and four Platinum singles added to the pressure or took the pressure off. Young said, “It makes me feel responsible now to achieve growth.”

Success with ‘relatable’ songs

Responding to a question about ‘In Case You Didn’t Know,’ Young said that the song wasn’t meant to be about any specific relationship. Rather, he saw it as reflecting the way that everybody feels when they are in a relationship, and so they can relate to the song. Similarly, he said that ‘Mercy’ was a song he knew he could sing with feeling. “It’s so relatable,” he added.

Sean McConnell has numerous cuts including songs recorded by Tim McGraw, Meat Loaf, Rascal Flatts, Scotty McCreery, Brothers Osborne, Brad Paisley and more. His songs have also been heard on the TV show Nashville.

New album due December 7

(L-R): Big Machine Music’s Mike Molinar, BMLG’s Laurel Kittleson, BMI’s Leslie Roberts, Producer Dann Huff, Sean McConnell, Warner Chappell’s BJ Hill, Brett Young, ASCAP’s Michael Martin, BMLG Records’ Jimmy Harnen. Photo credit: Preshias Harris

Young’s four consecutive Number Ones are: ‘Sleep Without You,’ ‘In Case You Didn’t Know,’ ‘Like I loved You’ and ‘Mercy.’ His next album, ‘Ticket to L.A.,’ is scheduled for release by BMLG on December 7, 2018. Young has said that the album’s title was inspired by his frequent trips back to his home in California before he moved to Nashville four years ago.

Once again, Dann Huff was tapped to produce. The first single from the album, ‘Here Tonight,’ dropped September 14.

Preshias Harris is a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology 101: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com

President signs Music Modernization Act

Songwriters ‘breathe sigh of relief’

“The Music Modernization Act (MMA) is now law! We have worked on elements of this legislation for 15 years. With the passage of this law, every professional songwriter in America, including myself, who has suffered devastating economic losses in the era of digital music delivery, can now breathe a sigh of relief and be optimistic about the future of our profession. Along with the songs that bear my name, this is my proudest career accomplishment.” – Steve Bogard, writer of 10 #1 songs and President of the Nashville Songwriters Association International (NSAI)

“Now the job of utilizing the tools found in the Music Modernization Act begins,” said NSAI Executive Director Bart Herbison. “NSAI and other songwriter organizations will immediately select songwriter board and committee members for the new Music Licensing Collective (MLC) that commences operation on January 1, 2021. We have two years to build the first-ever songwriter, music publisher run mechanical licensing collective. This will be the first collection agency that pays songwriters 100 cents from every royalty dollar since the digital streaming companies will pay operational costs of the MLC.”

Note: the text of this post is taken from a media release issued on October 11, 2018, by the Nashville Songwriters Association International. For more information, visit the NSAI website.

Higher streaming royalties

Higher streaming royalties resulting from the marketplace rate standards included in the Music Modernization Act will come over time when the next Copyright Royalty Board proceeding occurs in four years or when ASCAP or BMI have rate court proceedings under the terms of the MMA. Agreements reached with streaming companies or court proceedings could result in higher streaming rates.

“It is not too bold to say this is the most important songwriter legislation ever adopted by Congress. When we negotiate our digital rates or go to trial-type proceedings, we expect rates that are much fairer based on what the market should pay,” Bogard added.

44% mechanical license royalty increase

Songwriters WILL see an immediate 44% mechanical royalty increase beginning in January 2019 from the previous Copyright Royalty Board trial where NSAI and the National Music Publishers Assn. represented American songwriters and won the largest mechanical royalty increase in history. The increase will phase in over a five-year period.

Steve Bogard (President, NSAI), Darius Rucker, Bart Herbison (Executive Director, NSAI), Congressman Doug Collins (GA), Lee Thomas Miller (Former President, NSAI) at the Nashville Songwriter Awards

THE MMA in a nutshell:

Changes the standard by which songwriter streaming rates are established replacing an outdated 1909 law that governs songwriter mechanical or sales royalties, changes consent decree regulations from 1941 that govern songwriter performance royalties.
Requires the random selection of judges when performing rights societies ASCAP or BMI go to a rate court proceeding. Presently those judges are appointed for life.
Creates a new Music Licensing Collective governed by songwriters and music publishers to oversee and administer digital mechanical licensing and payments, resolve disputes and administer unclaimed royalties.
Eliminates the disastrous Notice of Intent (NOI) program administered by the U.S. Copyright Office that shifted the digital mechanical licensing burden back to songwriters.
Guarantees streaming royalty payments to artists whose recordings were done before 1972 who now are not required to be paid due to a loophole in the Copyright Act.
Stipulates direct streaming royalty payments to record producers and engineers.

More information about NSAI here.

Loretta Lynn, Skynyrd, more on Inside Track

October’s ‘Inside Track on Music Row’ sneak peek

‘Wonderful Women Who Write’ at The Bluebird
Martina McBride’s new Christmas album
Loretta Lynn: CMT’s ‘Artist of a Lifetime’
Lynyrd Skynyrd bid farewell
and much more

Catch up on more than thirty music news items in the October 2018 edition of my column, Inside Track on Music Row. The entire column (and a whole lot more) is now posted here at Nashville Music Guide, complete with photos, videos and graphics. Thank you NMG editor Amanda Andrews! You always make the column look SO good.

The column is the longest-running Country music column in America. Scroll down for a sneak peek at just a few of the items in the October column.

Bluebird to host ‘Women Who Write’

Grammy nominated singer/songwriter Carlene Carter will host an October residency at Nashville’s famed Bluebird Cafe. Aptly titled ‘Wonderful World of Women Who Write,’ the series will feature some of her favorite female songwriters and collaborators. Lilly Hiatt and Elizabeth Cook will be featured at the October 2 show. Lauren Morrow and Pam Tillis are scheduled for October 16, and Gretchen Peters and Matraca Berg will join Carter on October 30. All shows are 9 p.m. Central. Reservations will be available on a pre-paid basis for $25.00 one week ahead of each show date at The Bluebird Cafe website. bluebirdcafe.com.

It’s Christmas in October for Martina McBride

Martina McBride did not let the Nashville summer heat ruin her Christmas spirit, and begins her gift giving with the release of ‘It’s The Holiday Season.’ The 9-song holiday set will be released on October 19, the first with her new record label partner, BMG. McBride also continues her ‘The Joy of Christmas Tour’ tradition, this time bringing to life the harmonic, orchestral sounds on the album by using local symphonies on each stop. For this album, McBride collaborated with the late Patrick ‘Pat’ Williams to arrange a set of classic Christmas songs with accompaniment from more than 40 world-class musicians at the famed Capitol Studio in Los Angeles and Blackbird Studio in Nashville. Details here.

CMT honors Loretta Lynn

Continue reading “Loretta Lynn, Skynyrd, more on Inside Track”

The Simpsons know the music biz

Synch licensing pays big $$$ over 30 seasons

The writers of the Simpsons apparently know a thing or two about the music business. Or at least the challenges faced by songwriters in the current climate.

In a recent episode, Lisa asks Bart to write a song for her…

Bart: “What will you do for me if I write the song?”

Lisa: “I might make brownies later.”

Bart: “Wow! That’s the best deal any songwriter ever got! And that’s true even if I don’t get the brownies!”

Bart and Lisa. Image copyright Twentieth Century Fox

Hard to believe that the Simpsons have just started their thirtieth season. Over the years, the show has featured a lot of music, both original and pre-existing songs for which the production company had to get clearance prior to use with a synch license.

Fees for a network show such as The Simpsons could be in the $6,000 to $10,000 range for an ‘all television’ synchronization license. Even if Bart doesn’t get the brownies, quite a number of songwriters and music publishers have pocketed some nice change over the years thanks to that animated family.

For a full list of every song ever featured in the Simpsons, by season and episode, visit this Tunefind website. Each listing include the composition’s title, the composer and/or recording artist and links to Spotify, Apple Music, etc. Season 28 was particularly tuneful with eighty-eight songs.

SOURCE Awards honor women in music

Six of Nashville’s ‘Leading Ladies’

It was a busy week in Music City. Just one day before the CMA celebrated its 60th anniversary, Nashville’s music and entertainment communities were celebrating the careers of six Hall of Fame inductees at the 2018 SOURCE Awards. SOURCE Nashville is the longest-running organization for females in the music industry in Nashville. The celebration was held at the Musicians Hall of Fame and Museum at the Historic Municipal Auditorium, August 25, 2018, and was sponsored by Springer Mountain Farms.

The 2018 SOURCE Hall Of Fame inductees are:

(Left to Right) Front row: Tammy Genovese, Jo Ann Berry, Holly Gleason. Back Row: Barbara Baker, Cathy Gurley, Anita Hogin, Ronna Rubin. Photo Credit: Bev Moser

Barbara Baker, Blue Crest Music Publishing, Tree Publishing, Ray Baker Productions, Frank Mull Promotions, Baray Music.
JoAnn Berry, KHOO Radio, Jim Halsey Co., Dick Blake Int., World Class Talent, CBN.
Tammy Genovese, Country Music Association, The Country Network, Music City Sports and Entertainment Group, Crossroads Arena.
Holly Gleason, Miami Herald, Rolling Stone, L.A. Times, HITS, Sony Nashville, Joe’s Garage, Midwest Midnight Music, Kenny Chesney.
Cathy Gurley, WWVA Wheeling Jamboree, Country Music Association, Capitol Nashville, Gurley and Co., You Have The Power.
Anita Hogin, Shelby Singleton Inc., Jack Clement, Inc., Picalic Group of Companies, International Artist Management, H Three Events.
Ronna Rubin, Warner Bros. Records, Rubin Media.

SOURCE Hall of Fame inductees are nominated and inducted based upon peer recommendations, biographies, accomplishments, reputation, the number of years each individual has worked within the entertainment industry, and level of community involvement.

About SOURCE Nashville

Founded in 1991 by Shelia Shipley Biddy, Judy Harris and Pat Rolfe, SOURCE is the longest running organization for females in the music industry in Nashville, and is dedicated to fostering relationships and opportunities for its members through continuous education, networking, and community service initiatives.

SOURCE is a nonprofit organization supporting an exclusive community of accomplished women professionals who work in all facets of Nashville’s entertainment industry. For more information, please go to the organization’s website.

CMA celebrates 60th anniversary in Nashville

20 special performances honor six decades

Time flies when you’re having fun. Sixty years? Really? It was party time in Nashville Wednesday as the Country Music Association (CMA) celebrated its 60th anniversary at an invitation-only music industry party at the Wildhorse Saloon.

I came to Nashville in 1990 and quickly realized that the CMA was country music’s biggest supporter, promoter and resource. The CMA started out with just 160 members and has grown to more than 7,400 (including, proudly, yours truly.)

To mark the occasion the United States Senate, House of Representatives, and the City of Nashville, officially proclaimed September 25, 2018 Country Music Association Day.

Country artists and Joe Denim and the All-Star Band join CMA Chief Executive Officer Sarah Trahern and CMA Senior Director of Awards and Industry Relations Brandi Simms to toast CMA’s 60th Anniversary. Photo credit: Tammie Arroyo / Shutterstock

It was a gala evening, celebrating the CMA’s growth and success as well as the artists that have been part of that success. Everybody was there. Michael Ray, Craig Wayne Boyd, Grand Ole Opry member Jeannie Seely, the Gatlin Brothers, Lee Greenwood, Lee Brice, Julie Roberts and the list goes on. More than 20 acts performed 60 years of country hits, backed by my friend Joe Denim and his All-Star Band.

From Jeannie Seely to Lee Brice

After welcoming remarks from CMA Chief Executive Officer Sarah Trahern, Jeannie Seely kicked off the evening with a stunning performance of “Who Needs You.” Michael Ray and Craig Wayne Boyd performed back-to-back Merle Haggard classics, with Ray singing “Okie from Muskogee” and Boyd singing “The Fighting Side of Me.”

Halfway to Hazard performed a tribute to Troy Gentry. Photo credit: Jamie Schramm / CMA

My favorite performance of the event was Halfway to Hazard performing Montgomery Gentry’s “My Town” in a wonderful heartfelt tribute to their own Kentucky boy, Troy Gentry.

Backstage, Lee Greenwood and Larry, Steve & Rudy, The Gatlin Brothers, sang an impromptu version of Greenwood’s hit “God Bless The U.S.A.,” which the Gatlin Brothers provided background vocals for on the original 1984 recording.

Artists joined Trahern and CMA staff on stage for a birthday toast and sing-a-long rendition of “Happy Birthday.” Lee Brice closed the evening with a stellar performance of Hank Williams Jr.’s “Family Tradition.” (See below for the full setlist.)

CMA: the first music genre trade group

Founded in 1958, the Country Music Association is the first trade organization formed to promote a type of music. The organization, which started with 160 members, has grown to more than 7,400 industry professionals around the world representing every aspect of the business. The organization’s objectives are to serve as an educational and professional resource for the industry and advance the growth of Country Music around the world. Find more about the CMA at their website.

The full setlist:

Jeannie Seely – “Who Needs You” (1960)
Larry, Steve & Rudy, The Gatlin Brothers – “Houston (Means I’m One Day Closer To You)” (1983) & “All The Gold In California” (1979)
Michael Ray – “Okie From Muskogee” (1968)
Craig Wayne Boyd – “The Fighting Side of Me” (1970)
Joe Denim & Danielle Peck – “You’re the Reason Our Kids are Ugly” (1978)
Mark Wills – “The Gambler” (1979)
Hilary Williams – “Old Habits” (1980)
TG Sheppard & Kelly Lang – “Islands in the Stream” (1983)
Lee Greenwood – “God Bless The U.S.A.” (1984)
Ty Herndon – “Living In A Moment” (1996)
Mark Collie – “Even The Man In The Moon Is Crying” (1997)
Jamie O’Neal – “There Is No Arizona” (2001)
Halfway to Hazard – “My Town” (2002)
Mark Wills – “19 Somethin’” (2002)
Darryl Worley – “Have You Forgotten?” (2003)
Julie Roberts – “Break Down Here” (2004)
Chuck Wicks – “Stealing Cinderella” (2008)
Michael Ray – “One That Got Away” (2018)
RaeLynn – “Tailgate” (2018)
Lee Brice – “Songs In The Kitchen” (2017), “I Drive Your Truck” (2013), and “Family Tradition” (1979)

“No idea how songwriting works”

“I used to think I knew what I was doing 40 years ago, but now I have no idea how songwriting works.” – John Prine

So, take heart, aspiring songwriters! John Prine – one of America’s most respected singer/songwriters has confessed his lack of understanding. Now you have permission to ‘fess up. You can honestly (sort of) say that you know as much about songwriting as John Prine does.

That quote was taken from an interview in the May 2018 edition of American Songwriter. And so was this one:

“I was waiting and waiting until the song knocked on my door, but I had to put some sort of effort into it, finally. You’ve got to get in there at some point and pull the tooth out.” – John Prine

Songwriting, like any other endeavor, takes a combination of dedication, focus and perseverance. Sitting around waiting for inspiration to strike you isn’t going to cut it.

Keep your hook book handy

Sure, sometimes an idea does suddenly pop up, seemingly from out of nowhere. That’s why you have a hook book, to keep all the words and phrases that come to you when you least expect them. Maybe it’s something you saw on the TV news or a snatch of overheard conversation at Starbucks.

But it’s in the writers’ room when you and your co-writers take those vague ideas, words and phrases and work at turning them into songs. It’s one percent inspiration and ninety-one percent perspiration. Get in there and pull the tooth out.

As for the amazing Mr. Prine, earlier this year he released his first album of new songs in thirteen years. Titled ‘Tree of Forgiveness,’ it was produced by Dave Cobb and released on Prine’s own label, Oh Boy Records.

Read more about John Prine, his music and his upcoming tour dates (most of which sell out fast) at his website.

Hope Nation Radio helps Childhood Cancer families

September is Childhood Cancer Awareness Month

Childhood cancer is a heartbreaking event faced by families every day across America. September is National Childhood Cancer Awareness Month, and Hope Nation Radio is already well into their ’30 Days of Hope Campaign.’

The campaign started September 01 when Bridgestone Arena, Korean War Veterans Memorial Bridge, and the 31-story, 490-foot-tall Fifth Third Center skyscraper were lighted up gold on in honor of those survivors, fighters and angels of childhood cancer.

Hope Nation benefit shows

Hope Nation Radio is a charitable internet radio station that goes above and beyond to care for those in need and bring awareness to childhood cancer. Its reach continues to grow and strengthen year by year. They host multiple benefit shows in Nashville, host gatherings with cancer patients and their families, as well as HNR House Parties which provides kids fighting cancer the opportunity to enjoy a concert right in their living room.

“Each day, 42 families in the US receive this devastating news about their child or teen. Nothing is more rewarding than to know that we are making a real difference and giving these children a fighting chance.” – Nile Peaytt, founder and host of Hope Nation Radio.

24-hour music and inspiration

Continue reading “Hope Nation Radio helps Childhood Cancer families “