Adam Rutledge has a reputation for bringing contagious high energy to the stage that quickly cranks up the audience at his live shows. Adam has appeared with hot acts such as Brothers Osborn, Chris Janson, Eli Young Band, Cassadee Pope and Phil Vassar. In fact, Adam’s career is now managed by Phil Vassar (along with Amy Millslagle of i81 Entertainment).
He has a strong presence on social media with around 12,000 Instagram followers and thousands more on Facebook. Adam was in Nashville for CMA Fest 2018, playing at Music City Light Stage, Bridgestone Arena Plaza. He has a brand new EP, RUNWAY, that includes his new single, ‘Love Kickin’ In.’
Taking a few minutes away from the CMA Fest hustle and bustle, Adam sat down with me to catch up on what’s new with him.
This is one of a series of interviews that I conducted with rising singer/songwriters during CMA Fest to find out about their new music, their musical influences and their experience at CMA Fest.
Airfield serves as video backdrop
Preshias Harris: Tell us about what’s been going on with your career since you dropped your single.
Adam Rutledge: Yeah, so it’s been exciting! I’ve shot a music video for the single which we’re really excited about. It’ll be out in a few weeks. We shot it at an old, abandoned airport on a runway. It was a beautiful backdrop for the video. And I’m promoting another record coming out June 22nd.
PH: Tell me about any radio tours you’ve got planned.
AR: We’re in the process of planning radio tours right now.
PH: You’ve got a lot of wheels moving in your career. Which is the most exciting one?
AR: Being right here with you! No, it’s all so exciting. I can’t just pick one. There’s the new record, the video and working with so many talented people. I’m just one percent of all this! It’s everybody else that makes this all work for me. I’m just thankful for all the good people on my team.
PH: How long did it take you to get the songs for your CD?
AR: Some of them I’ve had written for years. Some of them I’d released on my own, years ago, and we went back and re-recorded and re-mixed them. And some of them were pitched to me and they are pretty new, so the songs span a large period of my life, actually.
PH: I’m going to ask you something that every artist hates when I ask it but I’m going to ask it anyway. What’s your favorite song on the album? Or a special one that means more to you personally? Continue reading “Adam Rutledge drops new single and EP”
Matt Rogers is making sure he will reach the eyes and ears of as many potential fans as possible during CMA Fest 2018. The Eatonton, Georgia, native now calls Nashville ‘home,’ but devotes a large part of every year to touring far and wide.
His latest project is an EP titled ‘Richest Place On Earth’ and he recently released the music video for the title track exclusively on Raised Rowdy. The song recently won a top award in the Music City SongStar competition.
I caught up with Matt in between some of his scheduled CMA Fest appearances.
This is one of a series of interviews that I conducted with rising singer/songwriters during CMA Fest to find out about their new music, their musical influences and their experience at CMA Fest.
Preshias Harris: You gave up a career in the medical career to move to Nashville. Why did you do that?
Matt Rogers: Music has always been there for me. When I was growing up, I played in church. I was in a youth ‘praise and worship’ band, I had a garage band, I had a little group in college. I started writing in college and when I moved home, I started playing more and more often in bars and clubs and I put a band together. I didn’t really know what I wanted to do when I grew up. I was really fumbling through different careers and different jobs, things like that, until I finally got a great job and a great career. But I had a goal to move up here [to Nashville] and I had a lot of support to move up here, so I saved up some money and set my plans and my goals out. And I ‘saddled up’ and moved on up.
The move to Nashville
PH: What was your time frame for that move?
MR: I was already coming up here often, monthly or bi-monthly, to take meetings, writing sessions, things like that. But I’d made a plan. I said, ‘In a year-and-a-half, I’ll move to Nashville.’ So I made a plan and started meeting people who could help me with that transition. At the end of that year, I found a place to rent, and I haven’t looked back since.
PH: Tell me about your EP, ‘Richest Place On Earth.’
MR: It’s a personal story. For the first year-and-a-half I was up here, I wrote about two hundred songs. So I wanted to narrow it down to just a few that would really describe who I was, not only as an artist but as a person. I wanted a cohesive project that you can listen to, start to finish, and have a better idea about who I was after you got through listening to it.
PH: What made you pick that title?
MR: It’s about me leaving that full-time job in Georgia and moving up here and taking the chance to do what I was wanting to do. To do what I think I was meant to do. That’s the story. I want to live out loud and break the mold. I want to leave a story behind to be told. Continue reading “Matt Rogers knows it takes hard work to reach the top”
Looks like another piece of Music Row will get bulldozed – along with all the history embedded in those bricks – unless people who care get involved. A developer is looking to tear down several more buildings along Nashville’s 16th Avenue to erect what’s called a ‘six-story boutique office building.’
Among the structures under threat: the Rhinestone Wedding Chapel, and Big Spark Music. But perhaps the most visible and well-known of the threatened businesses is Bobby’s Idle Hour. The 16th Avenue tavern has been the haunt of singers, songwriters, music biz workers, area residents and tourists for decades.
According to a story in The Tennessean (May 23, 2018) Warner/Chappell Music’s publishing building, the Ed Bruce Agency and the building that formerly housed the Creative Soul Music Academy and are also under threat.
Replace with office block
The plans to tear down the buildings and replace them with an office block have been proposed by Panattoni Development Co, who recently constructed the building that now houses SESAC and the Country Music Association at 35 Music Square East.
Take a listen hereto the poignant song, ‘Saying Goodbye to Sixteenth Avenue,’ written by David Dwortzan with vocals by Ron Wallace and video by Ruth Rosen.
Not so long ago, virtually all the buildings along 16th Avenue and parts of 17th Avenue housed recording studios, record label offices, songwriters’ rooms and video producers’ offices. The unassuming one- and two-story structures still looked like the residences they had once been, quirkily built and often unadorned by commercial signage.
But over the past few years, more than forty buildings along Music Row have been destroyed and replaced by apartment blocks and office buildings. A drive along 16th and then back along 17th Avenue shows that the demolition and construction continues, seemingly unabated.
Texas singer/songwriter inspired by life’s moments
Zach Stone was in Nashville to play some dates at CMA Fest 2018. Zach is an emerging artist from Arlington, Texas. His influences range from George Strait to Jason Aldean, and his own music can move from hard-driving country rock to emotional ballads. He is currently self-releasing a series of singles and their accompanying music videos that are held together by a thematic thread running through them.
We sat down to talk just as CMA Fest was wrapping up.
This is one of a series of interviews that I conducted with rising singer/songwriters during CMA Fest to find out about their new music, their musical influences and their experience at CMA Fest.
Preshias Harris: What are some your favorite things to do with music, besides performing?
Zach Stone: Wow. Well, you really made it hard for me because my favorite thing is performing! Songwriting is a lot of fun. I really enjoy creating my own storylines, getting to tell stories and convey emotions that I’m feeling and thinking about going through. I really didn’t start doing that until I moved to Nashville about seven years ago. That’s been a new experience. The more I’ve done that, the better I’ve gotten. It’s just been super cool to keep moving forward with that. One of my other favorite things that I’m just recently discovering with our new video series that we’re doing is that music videos are so much fun.
PH: It sounds like you’re enjoying that aspect.
ZS: I love getting to shoot music videos! It’s fun to create these storylines and characters and act in them. It makes me think that one day, I’ll eventually want to do some movies. Right now I’m just focusing on each song and music video individually because each one has been ‘my baby.’
Stays true to his roots with ‘Where I’m Coming From’
Shane Owens makes no apologies for playing traditional country music, the kind he grew up listening to in rural Alabama. That influence is evident in every song on his latest album, ‘Where I’m Comin’ From,’ that includes songs written by some of country music’s top songwriters. The style might be traditional, but Shane’s voice definitely puts the songs in the here and now.
The album includes the single, ‘Lie,’ a witty song about, uh, stretching the truth. You can see the very funny music video of the song here at YouTube.
This is one of a series of interviews that I conducted with rising singer/songwriters during CMA Fest to find out about their new music, their musical influences and their experience at CMA Fest.
Shane has played his share of bars and honky-tonks, but has also shared the stage with some of country music’s top names.
I met up with Shane while he was in town, playing dates at CMA Fest 2018.
Preshias Harris: How did it feel to re-cut one of John Anderson’s songs?
Shane Owens: Well you know, John’s a legend in this business, and he’s a traditional artist and paved the way for a lot of traditional artists like myself, and I believe that. I take great pride in my traditional country sound and sticking to my roots. He [Anderson] should be a Country Music Hall of Famer. I love John, I’ve actually had the opportunity to do a lot of shows with him over the years, opening up for him. He’s a great guy! Nobody can sing a country song like John Anderson. He stands out by himself. You know it’s going to be a John Anderson song as soon as you hear his voice.
PH: Do you have a favorite John Anderson song?
SO: ‘Swingin’! I remember when that came out, when I was a kid, I thought that’s the coolest thing. [sings] “Just a-swingin’…” and I thought, that’s awesome!
Dallas Remington is a dynamic young singer/songwriter who, at only eighteen, already has several years of experience as a performer. Her current single, ‘Never Turned Around’ (RoadWarrior Records), a tale of heartache and love, is now at country radio, with an EP to follow.
Dallas stopped by to talk about her new songs and her musical influences.
This is one of a series of interviews that I conducted with rising singer/songwriters during CMA Fest to find out about their new music, their musical influences and their experience at CMA Fest.
Preshias Harris: Tell me the story behind your new single, ‘Never Turned Around,’ and who did you write that with?
Dallas Remington: I wrote ‘Never Turned Around’ with my friend Regan Stewart and we went into the session preparing to write a song about a girl who didn’t think she could ever be heartbroken. She was going to go out with this guy but he wasn’t going to break her heart because her heart would never break. We got halfway through the writing session and we were like… ‘This girl really loves him.’ She is so in love with him and she is going to be so heartbroken when he leaves her. So, ‘Never Turn Around’ is about that kind of love that you don’t want to let them go because you love them so much, no matter how much you want them to chase their dreams, you want to hold on to them forever. But you end up having to let them go because it’s what’s best for them.
PH: The single is a taste of your EP titled ‘Freedom,’ due out this summer. What can we expect to hear on this project? And how many of the songs have you co-written?
Co-written every song on EP
DR: I’ve co-written every song on the project. There are seven songs on there and I’m very excited. It’s a big mixture of what I’ve grown up listening to, because I grew up listening to traditional country but also Lynyrd Skynyrd and classic rock so these seven songs present to the world who I am through my music and how I like to present myself, so I’m excited for everyone to hear it. It will available digitally at the end of June or the beginning of July and the physical copies are available now.
One of the most original acts in country music has to be Uncle Si and the Sicotics. Si Robertson and his daughter-in-law Marsha Robertson came to fame as part of the hit television series, ‘Duck Dynasty,’ setting the record for the most-watched show on the A&E Network. The show depicted the Robertson family who became successful selling duck calls for hunters.
When the TV series ended, Si and Marsha decided to combine their love of music and their sense of humor into a new direction: making music. They teamed up with hit singer/songwriter Bridgette Tatum and became Uncle Si and the Sicotics, playing to crowds of fun-loving fans. Si, known for his ever-present Tupperware cup of iced tea, and the two young ladies have released a six-song EP titled ‘Uncle Si and the Sicotics,’ available at all digital outlets and via their website.
I met up with the trio when they were in Nashville preparing for appearances during CMA Fest. I began by asking Si what has been happening in his life since the Duck Dynasty TV series ended in 2017.
“Well, we went into the music business, me and my daughter-in-law,” said Si. “And then we met this young lady right here, Bridgette Tatum, at a charity event which Jesus worked out or we would have never met. Then we got together and we wrote six songs and recorded them. And we all actually think it’s pretty good music, all six of ‘em. We’ve got a record label deal and we’re going out on the road doing our thing!”
What about that Tupperware cup?
So, I had to ask Si: What’s the story behind the famous green Tupperware cup?
“I’ve got it here with me,” he said. “My mother sent it to me in a ’care’ package [while I was in Vietnam], tucked inside my cowboy boots, because I’d asked her to send me a pair of cowboy boots and a pair of blue jeans so that while I’m not on duty I’d have civilian clothes. So she sent [the cup] and the clothes and some food. That was in 1968.” Continue reading “Uncle Si and the Sicotics bring humor to CMA Fest”
During the whirlwind that is CMA Fest 2018, I found a quiet spot to talk with Lance Carpenter and Krystal Keith, two singer/songwriters who are currently making waves with their duet, ‘Anyone Else,’ released on the Show Dog-Universal Music label.
Lance hails from the family farm in Arkansas, but it wasn’t until he left home to go to college that he bought a used guitar at a local pawn shop and began to write songs. One day, he Googled ‘songwriting’ and found Nashville Songwriters Association International (NSAI) and from that connection, he attended an NSAI Song Camp. Three years later, in 2011, he made the ‘official’ move to Nashville.
Although Krystal is the daughter of Toby Keith, she is definitely her own singer/songwriter. After taking two years away from performing to welcome her daughter, she is back full time, recording and touring. We met up and talked about what is new and exciting right now for Lance and Krystal.
This one of a series of interviews that I conducted with rising singer/songwriters during CMA Fest to find out about their new music, their musical influences and their experience at CMA Fest.
On the road with ‘Anyone Else’
Preshias Harris: What’s been happening in your career life since the single, ‘Anyone Else’ dropped?
Krystal Keith: We’ve been non-stop on the road. The single dropped in December and in January we went on our first radio tour date. We’ve been on the road pretty much four or five days a week since then. So, lots of travel.
PH: Do you like the travel aspect?
KK: I love to travel. I really do. And I have a two-year-old at home, so that’s the hardest part now, being a mom and being away from her. But thank God for my support system at home, taking care of her.
PH: Tell me, what’s the story behind your duet?
Lance Carpenter: ‘Anyone Else’ is a song I found on a ‘comp’ disc back in 2011 about, maybe, a month after moving to Nashville. Me and Forest [songwriter Forest Glen Whitehead] would get comp discs from publishers and writers, and we’d listen to them and hear what everyone was excited about. And this was track one on a disc. I heard it and I thought, if I ever cut a duet I’m recording that song. I wrote [a note] in my phone under ‘songs I would cut’ that day. Flash forward to 2016, I was in the studio recording songs for solo projects and I had an extra spot on the session. I knew that song by heart so I decided to record it. The next day, I thought I’d better call the [song] writers and make sure I can record the song. I hadn’t even asked them. They said, absolutely, go for it. They said, who are going to get for the duet part? I said, I have no idea. I’ll figure that out some other day. A little bit after that we started writing, and I heard Krystal had recorded a song that I’d pitched to her called ‘Resting Beach Face’ and one we wrote together called ‘I Got You.’ When I heard her singing in the studio, I said, there’s the voice for that song! I wonder if I can talk her into doing it. So I sent her an email. Crazy idea! And she said yes. It turned out amazing. Our teams loved it, and [Krystal’s] dad gave me a record deal. Continue reading “Lance Carpenter & Krystal Keith team up on ‘Anyone Else’”
Luke Bryan is a songwriter at heart. Admittedly, a songwriter who can really sing, with a string of hits and awards to prove it. But it’s clear that Luke truly values songwriting and loves the amazing songwriters that he gets to work with.
He celebrated his 17th, 18th and 19th Number One singles at a party held at the Hutton Hotel in Nashville. Note that those are all Number Ones as a recording artist, but his songwriting career goes back a little further. I attended the party for his first Number One as a writer back in July 2007, honoring ‘Good Directions’ that Luke co-wrote with Rachel Thibodeau for Billy Currington.
The three songs being recognized as Luke’s latest chart toppers were:
‘Move’ written by Luke Bryan, Michael Carter and Jay Clementi
‘Fast’ written by Luke Bryan, Rodney Clawson and Luke Laird
‘Light It Up’ written by Luke Bryan and Brad Tursi
One billion streams
As Luke stepped up to receive his awards, he was introduced as a two-time ACM Entertainer of the Year and a three-time CMA Entertainer of the Year. In 2017, it was noted, Luke played live shows for more than 1.5 million fans and chalked up over one billion streams.
Each of Luke’s co-writers shared some memories about the songs. Jay Clementi said that this was his first No. 1 Award, drawing appreciative applause from the attendees.
“Cathy Gurley brought me to town and hooked me up to write with [hit writer] Radney Foster who mentored me,” said Jay, who added that Foster “must have seen something in me.”
Writing with best friend
Speaking about co-writing ‘Move,’ Michael Carter said, “I was very fortunate to work with one of my best friends, Luke.” Michael recalled writing for the first time with Luke. “The very first place Luke and I stayed was Motel 6 off Harding place [in Nashville]. I know that’s where we started writing.”
Luke said that he was in Europe when he first heard the finished demo of ‘Move’ that his co-writers e-mailed to him. “I can’t believe I got a chance to put a great song like this out,” said Luke, adding, “and I co-wrote it!”
Brad Tursi told the story of ‘Light It Up,’ his first co-write with Luke at Luke’s new house.
“It was the first write in my new writer’s room at my house,” added Luke. “When these genius songwriters give the demo to genius musicians to record,” said Luke, the result is “genius songs” for fans to hear.
Rodney Clawson’s 24th Number One
When Rodney Clawson talked about co-writing ‘Fast,’ he took a moment to say, “Thank you, Luke, for letting me fish in your pond.” After the presentation, Rodney reminded me that ‘Fast’ was his twenty-fourth No. 1 as a songwriter.
Luke Laird recalled an earlier writing session that was his first ‘big’ co-write. “I suddenly realized that my co-writer thought I was Luke Bryan,” said Laird with a smile.
Making the achievement even more remarkable, all nineteen of these songs were consecutive Number Ones for Luke Bryan. He will soon be celebrating again. In May, ‘Most People Are Good’ became his 20th career chart-topping single.
Visit Luke Bryan’s website for music and tour updates, including info on the Luke Bryan Farm Tour 2018.
The party at the Hutton Hotel was presented by ASCAP, BMI, Global Music Rights and KPEntertainment.
Note: I originally posted this story here on the European website for Country Music News International magazine and radio show.
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Preshias Harrisis a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology 101: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com
Singer, dancer, multi-instrumentalist plays her first CMA Fest
Mags McCarthy, known professionally simply as MAGS, grew up on a farm like many country artists. However, this farm wasn’t in Alabama, Georgia or Tennessee. Her family farm is in County Cork, Ireland.
Recognized at a young age as an accomplished dancer, singer and instrumentalist (primarily the violin) she joined the world-famous Irish dance troupe, Rhythm of the Dance, touring with them all over the world.
Branching out to become a solo performer, she has continued to tour worldwide and has performed before members of the British Royal Family, the President of Ireland and at the White House for President Barack Obama and First Lady Michelle Obama. She has racked up more than 600 tour dates in the past two years, often breaking into a dance as she sings and plays her fiddle, passed down to her by her grandfather.
She played to enthusiastic audiences during CMA Fest in Nashville where she now makes her home since moving here in January 2018. We met on Music Row to talk about her new single, ‘Strong Enough,’ and what brought her to Nashville.
Need to be in Nashville
Preshias Harris: You’ve toured the world as a principal dancer with Rhythm Of The Dance and as a solo performer. What drew you to Nashville?
MAGS: I always wanted to come to Nashville. I grew up listening to Dolly Parton, Patsy Cline all my life. I was always a singer and songwriter and I always felt that I need to come to Nashville for the songs. As a singer, it is the place that everyone wants to go to – Nashville. I lived in Los Angeles for a few years but I’ve always felt that I wanted to be in Nashville because of the music I grew up with. So I made the big move in January and I haven’t looked back since. I absolutely love it here.
PH: So you think it was meant to be, for you to be here?
MAGS: I do. One hundred percent.
PH: Do you feel a connection between the traditional folk music of Ireland and the Country and Bluegrass music in the States?
MAGS: Oh, it’s massive. Even my style of playing [the fiddle] I have that connection, a sort of Bluegrass playing. I was born and raised playing Irish music but I feel that connection of where Bluegrass originated from. I think that’s one of the reasons why Ireland is so big into country music. It’s that connection to Bluegrass music.
PH: What can the audience expect to see and hear when they come to a MAGS show?
MAGS: When you come to my show, you can expect fun, energy, dancing. I love for an audience to leave feeling they’ve been fully entertained by my show, from my singing, my songwriting, my fiddle playing. I am a bit of a ’live wire’ on stage! People have said that to me. I want them to go home having seen an artist they haven’t seen before. And that’s what I’ve always tried to portray with my talents, whether it’s my Irish dancing and playing my fiddle at the same time, or singing my own songs. I love the audience to get energized, to be happy, to feel they’ve had a night’s entertainment and I made them feel welcome.
Audience energy feedback
PH: Do you get an ‘energy feedback’ from the audience?
MAGS: Oh, one hundred percent! When I see the audience happy, it makes me want to entertain more and more and more and get them involved! The audience can ‘feed’ you and it gives you confidence. When you go out on stage at first, you are hoping they’re going to like you. You’re praying, oh my God, I’ll do my best here, but I’ve always tried to make them feel welcome to me and make that connection.
PH: You have a wide range of musical influences from traditional to pop to Country. Can you tell us about how some of those influences have defined your music?
MAGS: I grew up listening to traditional Irish music and pop music as well as country. Over the years I have incorporated [the influence of] Bruce Springsteen and Elvis Presley, one of my favorite artists of all time. People have said to me ‘you have your own sound,’ but it’s because I’ve incorporated all of what I’ve listened to growing up all my life into my music today. That’s created my own sound from listening to Springsteen, Shania Twain, Dolly, Elvis, even to the Doobie Brothers. I listened to all that music, and to pop music today from Katy Perry to all the music kids listen to today. A huge range of genres of music. While I was performing during CMA Fest, one of the crew guys came over and was very complimentary and said, ‘you sound like Linda Ronstadt,’ and I thought that was a huge compliment. They said I was different. I said, ‘I hope I’m not too different!’
‘Make it to the Opry’
PH: Tell us about your new single, ‘Strong Enough.’
MAGS: I’m delighted with the response I’m getting from it. People have been very supportive. I’m very, very grateful to the people who support me and follow me on social media.
PH: What is one of your favorite songs you’ve recorded?
MAGS: One of my favorite songs that’s precious to me is ‘Opry.’ It’s a song about my whole life story. I grew up on a farm back home and the first verse is about me growing up and wanting to go to Nashville. The chorus is:
No, nothing’s going to stop me, til I make it to the Opry
Because I know there’s always room for one more song
On stage with Garth and Dolly, I’ll be there with everybody
Please won’t somebody listen to my song
The Grand Ole Opry’s the place where I belong
And the second verse goes on about how I played in bars for tips and meals, and got taken in by crooked deals, and so on! So it pretty much tells my life story of where I am today. It’s the dream of every artist to be at the Grand ole Opry. It’s definitely my dream.
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MAGS is one of the most dynamic new personalities to enter Nashville’s music scene and is set to make a major impact on country music fans in the USA and overseas. Listen to MAGS singing her new single, ‘Strong Enough,’ at her website.
Follow MAGS on Twitter here, on Instagram here, and on Facebook here. Catch her pro reel at YouTube here.
Note: I originally posted this story here on the European website for Country Music News International magazine and radio show.
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Preshias Harrisis a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology 101: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com