The invitation to Kelsea Ballerini’s Number One party for “Peter Pan”
A doubly exciting event for Kelsea Ballerini and her record label. The Number One party for her song “Peter Pan,” written by Ballerini with Forest Glen Whitehead and Jesse Lee was held, not at a restaurant or bar, but at the spacious Averitt Hangar close by Nashville International Airport. “Peter Pan” was her third consecutive Number One, making her the first solo female artist to top the charts with her first three singles since Wynonna Judd achieved that feat in 1992 (and the first ‘new’ female artist to ever achieve it). All three singles have been certified Gold by RIAA, making everyone very happy at Ballerini’s label, Black River Entertainment.
Interestingly, she grew up listening to pop music from such artists as Britney Spears, Christina Aguilera and NSYNC, until she discovered songs by Keith Urban that moved her to listen more closely to country music artists such as Dixie Chicks, Sugarland and – her biggest influence – Shania Twain. At the age of 19, she signed a deal with Black River Entertainment, resulting in “Love Me Like You Mean It,” “Dibs” and now “Peter Pan,” all of which topped Billboard’s Country Airplay charts. All three cuts are from her debut album, “The First Time,” also RIAA certified Gold – and the first Gold Album certification for Black River Entertainment. “Yeah Boy,” the fourth track from that album, was sent to country radio October 10. Will that be another chart topper? Watch this space!
Photo credit: Preshias Harris
Here’s a photo I took during the Number One party at the Averitt Hangar. Kelsea Ballerini had a lot to celebrate: her third-in-a-row Number One single and Black River Entertainment’s first RIAA-certified Gold album. Kelsea’s tour dates and more can be found here.
Wariner’s collaborators include Ricky Skaggs, Duane Eddy, Eric Johnson and more
My dear friend – and fellow Kentucky native – Steve Wariner has a great new album about to drop at the end of October. It really is a special project with a who’s who of guests and family members contributing their combined talent. Please give it a listen!
Steve Wariner releases “All Over The Map.” Photo: David McClister
For his 20th studio album, four-time GRAMMY Award winner Steve Wariner knew he had to do something really special. When All Over The Map began coming together, it became clear just what that would be.
The 12-track album evolved into a remarkable tribute to the Grand Ole Opry member’s influences, both living and deceased, in addition to a celebration of his lineage. While packed with acclaimed guest musicians, the set — to be released Oct. 28 on SelecTone Records — artfully showcases Wariner’s own musical talents. In addition to producing the album, he plays guitar, upright bass, drums and both pedal and lap steel, as well as singing on seven of the songs. (The other five are classic instrumentals.) Wariner also penned 10 of the tracks.
Tribute to Chet Atkins
A touching tribute to late mentor Chet Atkins, titled “CGP,” takes its name from the coveted title Atkins bestowed on Wariner: Certified Guitar Player. On the track, Wariner enlisted the talents of the only two other living musicians to have earned the same title from Atkins, Tommy Emmanuel and John Knowles. The album also includes “When I Still Mattered To You,” a song Wariner wrote with Merle Haggard on a cruise ship in 1996 but had never previously recorded.
Ricky Skaggs guests on “All Over The Map”
Close friend Ricky Skaggs, with whom Wariner won his first GRAMMY in 1992, is featured playing mandolin on “Down Sawmill Road.” Other celebrated musicians featured on the album include: Musicians’ Hall of Fame and Rock and Roll Hall of Famer Duane Eddy (“Nashville Spy-Line”), GRAMMY Award winner Eric Johnson (“Meanwhile Back In Austin”), Greg Martin of The Kentucky Headhunters (“Way It Goes”) and Jack Pearson (“Drop Top”).
Wariner family heritage
But it’s Wariner’s own family that provides the bulk of the inspiration for the album, which was 20 months in the making. Throughout the creation of the album, Steve relied heavily on his son Ross, who lives in New York, for advice and consultation on the technical production aspects of the album. He wrote the Western swing tune “Mr. Roy” as a tribute to his musician father, and “Down Sawmill Road” is named for the Kentucky road where his mother grew up. His GRAMMY-nominated son Ryan Wariner wrote and plays on the track “The Last Word.” Wariner reached back deep into his rich family history for the album’s closing instrumental track, “Augustine’s Dream,” inspired by his maternal four-times great grandfather who served in the Revolutionary War.
“Getting to play and record with these wonderfully creative people means the world to me. I am grateful to all! Some I’ve collaborated with before, others… well, it’s pure bucket list for me! This project is the perfect example of what keeps me going…what keeps me excited,” notes Wariner. “Traveling into territory I’ve never been to before. And there’s lots of that here on this album. It’s hard to describe the joy I feel making music with my sons…and family for that matter. Now I know how my father used to feel. I am so very proud of my musical roots and heritage. ”
You can watch a video of the creation of the album cover for “All Over the Map” here.
14 Number Ones; 30 Top Ten hits
In his storied career, Wariner has achieved 14 No. 1 songs and more than 30 Top 10 hits, including such classics as “Holes in the Floor of Heaven,” “Life’s Highway,” “The Weekend,” “I’m Already Taken,” “I Got Dreams,” “Small Town Girl,” “Two Teardrops,” “Some Fools Never Learn,” “Lynda” and more. An award-winning songwriter, Wariner has also composed hit songs for Clint Black (“Nothin’ But the Taillights”), Garth Brooks (“Longneck Bottle”), Bryan White (“One Small Miracle”) and Keith Urban (“Where the Blacktop Ends”), as well as artists such as Country Music Hall of Fame members Alabama, Kenny Rogers, The Statler Brothers, Conway Twitty and Don Williams; pop music icon Peter Tork (of The Monkees); R&B singer Ruben Studdard; bluegrass music’s Del McCoury Band and many more. Wariner is a member of the Kentucky Music Hall of Fame. For more information, visit Steve’s website
Jean Shepard broke down barriers and inspired female artists who followed
Jean Shepard was more than ‘just’ a country music artist. She was instrumental in changing the way country fans – and the music industry – regarded female singers.
Jean Shepard pictured in 1971
In the early 1950s, solo female country artists were very few and far between, Kitty Wells being one of the most notable of the few. The absence of female country singers was something of a self-fulfilling prophesy on the part of record label executives: they were convinced that nobody wanted to hear female artists so they didn’t sign any, and then of course, no female singers were cutting songs and no records by female artists were showing up on the charts. Those record execs could look at the charts and say, “See? Songs by female artists aren’t selling.”
Her big break came thanks to her own determination when she pretty much invited herself onto the stage in 1952 while Hank Thompson, a big star at the time, was performing. Thompson was impressed both by Shepard’s talent and her resolve and convinced the very reluctant execs at his label (Capitol Records) to sign her.
After one non-charting single, Capitol teamed her with one of their male artists, Ferlin Husky, on “A Dear John Letter,” a million-plus seller that topped the Country charts and became a pop hit too. Touring with Husky – he was appointed her legal guardian as she was still a minor – she quickly became a fan favorite in her own right. Her popularity was such that, when she was only 22, she became only the third female artist invited to join the Grand Ole Opry, the other two being Kitty Wells and Minnie Pearl. (At the time of her death, Shepard was the only female artist to have been a member of the Opry for sixty years.)
Inspiration to female artists
By breaking through as a female singer in a male dominated music world, she inspired other young women to persevere with their craft and not give up the dream. So many female country stars that came along after her have cited Shepard as a true role model.
Shepard’s resilience was also remarkable in the face of so much adversity in her personal life. She grew up desperately poor, the daughter of a sharecropper with her nine sibling in a home without running water or electricity. Later, at the height of her career, when she was eight months pregnant, she lost her husband Hawkshaw Hawkins in the 1963 plane crash that also killed Patsy Cline and Cowboy Copas. Despite her grief, she returned to the Opry and the recording studio, determined to maintain her career and support her small children.
Country’s first ‘concept album’
A rarity for female artists at the time, Shepard was not afraid to sing and record songs, including “The Root of All Evil (Is A Man)” and “Twice The Lovin’ In Half The Time,” that focused on ‘gritty’ subjects such as adultery and broken marriages from a woman’s point of view. Artists such as Loretta Lynn note that Shepard’s album “Songs of a Love Affair” opened the door for them to sing about subjects that might have otherwise been nixed by record labels. “Songs of a Love Affair” is recognized as the first ‘concept’ album in Country music.
Jean Shepard, with Bill Anderson, celebrating 60 years as an Opry member in 2015. Photo: Chris Hollo
Often described as ‘feisty’ – she made no secret of her distaste for modern ‘pop-country’ music – she had strong convictions and a strength of character that stayed with her throughout her personal and professional life. Jean Shepard was a pioneer and an inspiration to any aspiring artist who feels the odds are stacked against them. As Brenda Lee said when Shepard was inducted into the Country Music Hall of Fame in 2011: “She busted down the doors.”
For a discography and more about Jean Shepard’s long career at the Opry, click here.
Ollie Imogene (‘Jean’) Shepard, November 21, 1933 – September 25, 2016. She is survived by her husband, Benny Birchfield, and sons Don Robin Hawkins, Harold Franklin Hawkins II and Corey Birchfield.
Preshias with Joni Twitty and John Wesley Ryles, listening to the remastered Conway Twitty tapes
Monday morning started out great with Joni Twitty and John Wesley Ryles. I was with them at Ricky Skaggs‘ studio putting the finishing touches of musical magic to the rare 1970 recordings that Joni’s father Conway Twitty cut with Scotty Moore for the U.S. Armed Forces Network. The long-lost songs are soon to be released by Country Rewind Records. www.countryrewindrecords.com
Working on Conway Twitty’s ‘Lost Tapes’
Pictured (left to right) are: John Wesley Ryles (back up vocalist and Conway’s son-in-law), Ron Oates (‘The Bomb’ piano player!) Joni Twitty, and engineer Mark Capps (Mark worked on Conway’s last album). Not Pictured: Guitarist Kevin Williams, who has played with The Gaithers for 24 yrs. Everyone at Country Rewind Records is so excited to be ‘a spoke in this wheel’ as these historic recordings finally get to be heard by Conway’s fans!
Reproduced below is the press release announcing the Waylon Jennings album for which I wrote the liner notes. It is a remarkable album of tracks long thought to have been lost forever. In addition to its historical significance, it’s a heck of a good album! I recommend you give it a listen. – Preshias Harris
COUNTRY REWIND RECORDS (NY) INTRODUCES THE LOST NASHVILLE SESSIONS FROM WAYLON JENNINGS
Gem Features 14 Never-Heard-Before Tracks, And One Bonus Track (Digital Only)
The Sixth In The Label Series — Due Mid-October 2016
The Lost Nashville Sessions (Waylon Jennings)
NASHVILLE, Tenn. (September 13, 2016)—Country Rewind Records (a division of Hindsight Records, NY), will introduce one of its newest collections of country music’s hidden treasures—THE LOST NASHVILLE SESSIONS (Waylon Jennings). The project will be available October 21, 2016* via all major digital retail outlets.
An impressionable country music singer, who became a Grammy recipient early in his career (for “MacArthur Park”) and forged his name as an iconic figure in American music history, Waylon Jennings was a member of the “Outlaw Country” music movement and genre. He shared the billing with renowned, award-winning recording artists such as Willie Nelson, Merle Haggard and Kris Kristofferson. THE LOST NASHVILLE SESSIONS showcases Jennings’ stout talents as a young and promising recording artist (spotlighting the number one hit “Only Daddy That’ll Walk The Line”) and highlights a piece of music history that may have easily been lost and forgotten.
The musical gem features 14 never-heard-before tracks originally recorded at Scotty Moore’s Music City Recorders (July 1970) as part of a U.S. military recruitment radio program. The 15-minute recorded shows hosted performances by, and banter with, popular country artists (Jennings, George Jones, Dolly Parton, Conway Twitty and Tammy Wynette to name a few). Created to encourage recruitment, the shows were distributed for “promotional-use only” on vinyl to 2,000 participating radio stations. Country Rewind Records President, Thomas Gramuglia, dusted off the masters from each and every recorded program with the idea to bring these performances to life via today’s contemporary and digital musical formats. (THE LOST NASHVILLE SESSIONS is just one of hundreds of recordings.)
Grammy award-winning musician and producer, Robby Turner (who is also the late country legend’s longtime steel guitarist and producer, and now plays with Chris Stapleton), added instrumentals and background vocals to the raw original tracks (including Waylon Jennings’ classics and his renditions of Chuck Berry’s “Brown Eyed Handsome Man” and Kris Kristofferson’s “Sunday Morning Coming Down”).
With audio quality of the highest twenty-first century standard, the project has been described as “Delightful” (Robert K. Oermann/Music Row Magazine). The production sounds as if Waylon and A-list musicians recorded the project just yesterday. Jennings’ widow, Jessi Colter, and their son (Shooter Jennings) have given their permissions and blessings to release the project.
Music City Media will head up the press and social media campaign; Williams Promotions will oversee the radio promotion campaign. The project is being distributed by Select-O-Hits.
THE LOST NASHVILLE SESSIONS digital retail release date: October 21, 2016. iTunes pre-sale begins September 23, 2016; purchasers who take advantage of the iTunes pre-sale will be offered “Kentucky Woman” as the instant gratification track.
For more on THE LOST NASHVILLE SESSIONS and other Country Rewind Records productions, visit countryrewindrecords.com.
My monthly column, ‘Inside Track on Music Row,’ is published in magazines and on websites worldwide. To read archived columns, go to www.iknowcountry.com and click on the ‘Blog’ link. You can also find out about my new e-book, “I Know Country!” – a collection of 366 country music Q&As – and follow a link to where you can buy your own copy.
Send me music stuff, I love to get it! / Preshiaswriter@hotmail.com TN/USA. Google “Preshias”
VERSE OF THE MONTH
“When I am afraid, in you I place my trust.” – Psalm 56:4
ALBUM NEWS
New album from John McEuen
John McEuen, the Grammy-award winning producer, songwriter and musician, has announced his plans to release his sixth solo album titled MADE IN BROOKLYN (Chesky Records). The 16-track collection was created in similar fashion to the landmark ‘Will the Circle Be Unbroken’ that McEuen initiated in 1971. The new album is scheduled for a September 30, 2016 release. McEuen convened an exceptional group of musicians, all of whom have been instrumental in molding American Music in their own right, for a project produced to give the listener an “in-studio experience.” The album is part of Chesky’s Binaural + Series: the live performances were captured in high-resolution (24-bit/192kHz) with the single “Dummy Head” microphone system. The dummy head’s ear microphones are specially calibrated to recreate the spatial characteristics of human hearing to offer a spacious, lush and multi-dimensional listening experience. More at chesky.com
ARTIST NEWS
Without a doubt, Dolly Parton continues to be one of the most aggressive artists in music when it comes to marketing themselves, and the Country Music Hall of Fame member continues that trend with the upcoming August 19 release of her new disc Pure & Simple – with four different pre-order bundles to help promote the album. The bundles range from the Standard Bundle ($40) to the Commemorative Bundle ($400). Fans can go to shop.dollyparton.com for more information regarding the bundles. In other Dolly news, the entertainment icon has just released the title track lyric video, which can be viewed at dollyparton.com.
BLUEGRASS NEWS
Ronnie Reno, host of ‘Reno’s Old Time Music’
Many of the top nominees for the 2016 IBMA awards are among the featured guests on “Reno’s Old Time Music” show throughout the month of August. This year’s Entertainer and Vocal Group of the Year nominee, Balsam Range will kick off the month with a “Reno’s Old Time Music” full-performance show, followed by the “Queen of Bluegrass” and Female Vocalist of the Year nominee, Rhonda Vincent. Rhonda returns as to guest co-host the “best-of” series, “Hats Off to Bluegrass,” as does Sierra Hull, who is poised to be the to take home Album of the Year and Mandolin Player of the Year honors. To fill out the month, “Reno’s Old Time Music” has compiled all of the fan-favorite performances from its popular “Front Porch Gospel” series. For a full schedule and show times visit ronniereno.com.
BOOK NEWS
Singer, songwriter, author Jimmy Wayne
Jimmy Wayne’s three-time New York Times best-selling book, Walk to Beautiful, has celebrated a milestone as it crossed the 100,000 sales mark for print copies. Jimmy’s memoir, released in October of 2014, has not only captivated readers, it has inspired positive change in the foster care system and compelled individuals to get involved in helping at risk foster kids. “I wrote Walk To Beautiful with best-selling author Ken Abraham after walking from Nashville to Phoenix to raise awareness for at-risk foster children,” says Jimmy. “When I was 16, I was given a home by Bea and Russell Costner, and I wouldn’t be here today if not for their kindness and generosity.” More at jimmywayne.com.
CD NEWS
Shooter Jennings’ new album
Shooter Jennings and BCR Los Angeles will re-release his 2010 album, Black Ribbons, in a limited-edition package that includes vinyl, cd and unreleased tracks. The reissue comes in at the perfect time for the genre-breaking, dystopian concept album… Election Day, November 8, 2016. Narrated by famed horror author Stephen King, Black Ribbons is a concept album set in the near future, when the U.S. Government has control over the airwaves, and a lone radio DJ vows to play the one band the authorities don’t want him to play. Along with the re-release, Jennings announced a limited series entitled “Beyond The Black,” which takes music lovers song by song through the story of Black Ribbons and how the concepts and theories behind the project still ring true today. Album info and tour dates at shooterjennings.com.
CD RELEASES
Kiefer Sutherland
Kiefer Sutherland’s second music video, “Can’t Stay Away,” premiered during CMT’s Hot 20 Countdown in late July. The track is the latest release from Sutherland’s debut album Down In A Hole, which will be released August 19 by Warner Music Nashville/Ironworks Music. Down In A Hole will be available for pre-order August 5. Sutherland, who co-wrote every song on the upcoming 11-track album with producer Jude Cole just wrapped up a North American tour that included sold-out dates across the U.S. and Canada. Updates at kiefersutherland.com.
CMT NEWS
Michael Tyler’s debut single
Reviver Records recording artist Michael Tyler is providing a glimpse of his Missouri roots in a CMT premiere of his debut single “CRAZY LAST NIGHT,” available now through digital retailers. The song was recently selected as one of Billboard’s Country Songs of the Summer Picks and is currently playing on country radio. Tyler, already a No. 1 songwriter, co-penned Dierks Bentley’s two-week No. 1 smash “Somewhere on a Beach” as well as cuts by Jason Aldean and LOCASH and the Aldean/Kelsea Ballerini duet “First Time Again.” See the video and check out tour dates at themichaeltyler.com.
CMH of FAME NEWS
Charlie Daniels
The Country Music Hall of Fame® and Museum will examine the life and career of 2016 Country Music Hall of Fame inductee Charlie Daniels in the exhibition Charlie Daniels: Million Mile Reflections, opening Sept. 23, 2016, and running through March 2017. Featuring musical instruments, stage wear, manuscripts, awards, childhood mementos and previously unpublished photographs from Daniels’ personal collection, the exhibit will describe his significant impact on American entertainment and explore the new musical style and image he brought to country music. Daniels moved to Nashville in 1967 at the urging of Columbia Records producer Bob Johnston, who hired him to play on albums by Bob Dylan, Leonard Cohen and Marty Robbins. See countrymusichalloffame.org.
DUO NEWS
Dailey & Vincent
Fans of American music superstars Dailey & Vincent will get an up-close and personal experience as the award-winning duo hits the road throughout 2016 with a jam-packed tour schedule which includes stops throughout North America. Fans will get the opportunity to meet the multi Grammy-nominated group during autograph sessions at venues and festivals. The Springer Mountain Farms sponsored tour kicked off earlier this year, with additional stops recently added. The dynamic duo will also host additional episodes of their hit music-driven television show, “The Dailey & Vincent Show.” The 30-minute program appears weekly on RFD-TV, which is available in 63 million households across all 50 states. For update tour dates and TV show info, go to daileyandvincent.com.
DVD NEWS & RELEASES
Brian Wilson & Friends: ‘Live’ DVD & CD
Music legend Brian Wilson and BMG, in collaboration with the groundbreaking television series “Soundstage” (PBS) have released Brian Wilson and Friends, a new live CD/DVD set and Blu-ray. Filmed live at the Venetian Theatre in Las Vegas on December 12, 2014, the 19-track CD and 26-track DVD/Blu-ray editions feature many of the top hits and fan favorites spanning Wilson’s 54-year career with The Beach Boys and as a solo artist. Brian Wilson & Friends originally aired on PBS nationwide throughout 2015. Details and track listing at BrianWilson.com.
INDIE NEWS
Kenny & Amanda Smith
Kenny and Amanda Smith have released the first single, “You Know That I Would,” from their forthcoming album, Unbound. The CD, the 7th release from the Smiths and their band, is set for release on September 23, 2016, and is available for pre-order now. Unbound features 13 remarkable cuts from some of today’s most prolific writers, including Ed Williams, Ronnie Bowman, Dennis K. Duff, Roger Helton, Barry Bales, Lisa Shaffer, Elli Rowe, Jason Burleson, Tim Stafford, Thomm Jutz, Kylie Sackley, Lacy Green, and Craig Market. The collection is described as “a warm and winning musical journey.” Kenny is a two-time IBMA Guitarist of the Year award winner, and Amanda won the 2014 IBMA Female Vocalist of the Year Award. More at kenny-amandasmith.com
INDUSTRY NEWS
Singer-songwriter Kelsey Waters
Little Extra Music singer/songwriter Kelsey Waters has signed with booking powerhouse William Morris Endeavor Entertainment (WME) for representation. Raised in the 30-A region of the Florida panhandle, Kelsey was playing bars before she could even drive. She moved to Nashville at 20 and quickly began making inroads in the music scene. After signing her publishing deal with Little Extra Music, she was soon hard at work with some of her songwriting idols like Lori McKenna (“Girl Crush”, “Humble & kind”) and Tia Sillers (“I Hope You Dance”, “There’s Your Trouble”, “Blue On Black.”) She’s built a growing catalog of songs that are both universal and reflective of her unique slant on life. See LittleExtraMusic.com.
INSPIRATIONAL MUSIC NEWS
Hillary Scott and the Scott Family
Hillary Scott & The Scott Family gathered with over two hundred of their closest friends and family at Nashville’s The Bell Tower, as they introduced music from their new album LOVE REMAINS (EMI Nashville). The album, a 13-track collection of faith-based songs, is a combination of hymns Hillary grew up singing in church, newly-written originals and songs made popular by other artists. With the help of producer Ricky Skaggs, the album blurs the lines between gospel, bluegrass, country and pop. It follows more than 11 million album sales worldwide for Hillary Scott as one-third of the one of the world’s most popular groups, Lady Antebellum. For more information on new music, a full list of upcoming tour dates and more, visit hillaryscott.com.
LABEL NEWS
(UMG) Dierks Bentley has announced the extension to his 2016 SOMEWHERE ON A BEACH TOUR with the addition of arena dates following two nights at Colorado’s Red Rocks Amphitheatre (9/26 & 9/27). Beginning Oct. 13 in Ft. Wayne, IN, the tour will continue through the end of October with Randy Houser and special guest Drake White & The Big Fire. Fans can now purchase presale tickets to first announced dates at Dierks.com. “We’re about 30 shows in so far, and I feel like we are just getting started…the songs from the new album are really connecting like nothing I’ve experienced before, the band and crew are in a great groove and we’re having the time of our lives out there,” said Bentley.
MEDIA NEWS
Chesney & Pink: “Setting the World on Fire”
‘Noise’ set a milestone for Kenny Chesney when the song became his ‘most added’ first week single ever; ‘adds’ indicating a song being added to country radio station playlists. The song was co-written by Chesney with Shane McAnally, Ross Copperman and Jon Nite. Chesney’s album, with the working title of ‘Some Town Somewhere,’ originally scheduled for a July 8 release, has been pushed to October 28 due to a collaboration with Pink on ‘Setting the World on Fire.’ Additionally, Chesney announced a change to the title of his new album. It will now be titled ‘Cosmic Hallelujah.’ Chesney said that album titles are around for a very long time and he tries to have titles that give people a sense of what the music is, and what the album is all about. He added, “When I pulled back and listened: these songs are all about taking ‘The Big Revival’ to the next level; that level is Cosmic Hallelujah.” Tour info, etc, at kennychesney.com.
MUSIC NEWS
Caitlyn Smith’s debut album, due out early 2017
Songstress Caitlyn Smith has spent the last several years behind the curtain, penning songs for artists such as Garth Brooks, Dolly Parton, Cassadee Pope, Kenny Rogers, Meghan Trainor and more. She has now released five tracks from her Paul Moak-produced, full-length debut album, Starfire, expected early next year. The five tracks, each co-written by Smith, are a sampling of what’s to come from the expectant mother’s full-length album. The five songs, available everywhere digital music is sold and streamed. More at caitlynsmith.com.
SINGLE NEWS
The Trinity River Band’s new album
When you win a whole mantle full of awards – from both fans and critics – you must be doing something right. In the case of the Trinity River Band, they’re doing a whole lot of things right. Now, the Trinity River Band have released their brand new album titled Things We Do For Dreams (Orange Blossom Records). The first single from the album, “Come Back Train,” written by Jerry Salley and Cassidy Lynn Alexander, has already entered the Bluegrass Today Top 20 Chart and the Roots Music Report Top 50 Bluegrass Singles chart. The new project presents the band’s popular mix of inspirational country, acoustic roots and bluegrass that has created a loyal following of fans nationwide. For a current list of tour dates and more details about their albums, visit www.thetrinityriverband.com.
TOUR NEWS
Jason Aldean on the road with his Six String Circus Tour
Jason Aldean’s SIX STRING CIRCUS TOUR launched May 19th in Rogers, AR, with support from Thomas Rhett and A Thousand Horses (A few dates with DJ Silver). As the first-ever Country artist to take the stage at Boston’s Fenway Park, Aldean will route the tour to the home of the Red Sox on Sept. 9 to co-headline with multi-Platinum award-winner Kid Rock. The tour is a 27-city run. The last date listed to catch his 2016 show is October 1st in Bristow, VA. **MUSIC NOTE EXTRA** “Lights Come On” marks the 17th career chart topper for Jason. Landing the # 1 position on the Billboard Country Airplay and Mediabase radio charts, Aldean also announced his seventh studio album THEY DON’T KNOW (Broken Bow Records) will be available Sept. 9th (Same day as album drops) and fans can pre-order the album at all available digital retailers. Aldean is currently headlining his Six String Circus Tour. For more information on new music and for a full list of upcoming tour dates, visit www.jasonaldean.com.
VINYL NEWS
Dierks Bentley’s album on vinyl
Dierks Bentley’s BLACK will be released on vinyl, available on Aug. 12. Bentley’s most personal record yet has already delivered a one-two punch of critical and commercial muscle with the multi-week No. one smash of the summer anthem “Somewhere On A Beach,” and the provocative and vulnerable “Different For Girls,” featuring 2x Grammy nominated friend Elle King. “When we created this album, I kept imagining the flow of this record being told with an ‘A’ side and ‘B’ side,” said Bentley. “With BLACK, every little detail has mattered to me and I can’t wait for fans to hear the whole album this way.” Details at dierks.com
In every business, there are some things you just have to know. Your songwriting career is no different. Here are seven questions you should be able to answer. If you’re not sure of the answers, go online and search for the information before you scroll down to read the answers. By carrying out your own research, you are more likely to retain the information, adding to your knowledge of the music industry.
QUESTIONS
What are the 6 exclusive rights bestowed upon the owner of a song’s copyright?
What should you do after you have written (or co-written) a song?
True or false: A song has copyright as soon as you finish writing it.
Name the three Performing Rights Organizations (P.R.O.s) in the United States.
What is a P.R.O. and why do you need to belong to one?
What is the length of contract and termination requirements you would sign if you affiliated with one of the three P.R.O.s?
At what age can you start your own publishing company?
Ready to check your answers?
ANSWERS
What are the 6 exclusive rights bestowed upon the owner of a song’s copyright?
Here are the six exclusive rights, as defined by the U.S. Copyright Office:-
[i] To reproduce the copyrighted work in copies or phonorecords. ‘Phonorecord’ is a legal term for material objects produced through sound recording, such as a CD, vinyl record, audiotape, MP3, etc.
[ii] To prepare derivative works based upon the copyrighted work. You have the right to change it around if you wish. Add lyrics, make a new arrangement, change the chorus, etc.
[iii] To distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending. (Remember, you are not selling the SONG which is your intangible, intellectual property; you are selling the CD onto which a copy of the song has been recorded!)
[iv] In the case of literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works, to perform the copyrighted work publicly. So, as the songwriter, you have the right to perform your song at a public event such as onstage or at a writers’ night.
[v] In the case of literary, musical, dramatic, and choreographic works, pantomimes, and pictorial, graphic, or sculptural works, including the individual images of a motion picture or other audiovisual work, to display the copyrighted work publicly. As you might guess, this right refers mainly to painters, sculptors, photographers, who would want to display or show their creative work.
[vi] In the case of sound recordings, to perform the copyrighted work publicly by means of a digital audio transmission. If your song is in a digital file on your computer, you have the right to ‘perform’ it digitally.
Note that you, as the copyright holder, can monetize those rights by licensing the use of your music (for example to a record label or artist that wishes to record your song).
2. What should you do after you have written (or co-written) a song?
Here’s what you need to do:
[i] Type up the complete lyrics (do not simply type “repeat chorus,” etc) and add your name and your co-writers’ names (if any) to the bottom of the sheet.
[ii] Be sure to include all info for all of the song’s writers (example: Legal name, their P.R.O. and names of publishing company).
[iii] Start a file of typed lyrics sheets.
[iv] Make and print a hard copy for possible future pitches, performances and cuts.
[v] In your file, make note of contact info of all the writers.
Note: If you said “Register the copyright,” that isn’t usually necessary immediately after a song has been written. See Number 3, below.
True or false: A song has copyright as soon as you finish writing it.
True. The writer[s] of a song own the copyright as soon as it has been completed, but you should be sure to include the writer’s information on the lyric sheet as noted above.
When you are ready to register your copyright you can do so online at http://copyright.gov/ using their ‘e-copyright’ (eco) form, which is faster and less expensive than filing a hard copy by mail. A copyright registration is considered to be ‘effective’ when it is received by the U.S. Copyright office, subject to review. You’ll receive a mailed certificate several weeks later. Whereas registering your copyright is not essential or even necessary unless the song is going to be commercially recorded or performed in public, registration provides ‘prima facie’ evidence that you legally own the copyright in the event of a dispute or infringement.
Name the three Performing Rights Organizations (P.R.O.s) in the United States.
Here are their names and websites:-
ASCAP (The American Society of Composers, Authors and Publishers) http://www.ascap.com
SESAC (The Society of European Stage Authors and Composers) http://www.sesac.com
What is a P.R.O. and why do you need to belong to one?
P.R.O. stands for Performing Rights Organization. A P.R.O. acts an intermediary between copyright holders and parties that use copyrighted music works publicly. The key word there is publicly, because a P.R.O. is not involved in any legal consumer purchase of works such as buying a CD from a retail outlet, which confers private performance rights. When music is performed publicly, the P.R.O. collects income owed to songwriters and music publishers. Such public performances can include radio, television, clubs and restaurants.
As an individual songwriter, it would be impossible for you to track down and collect the royalties due to you from all the radio stations and TV broadcasts as well as from clubs and restaurants playing your songs. Your P.R.O. is set up to perform that task for you and retains a small percentage of each payment they receive. There is a lot more you need to know before deciding which, if any, of the P.R.O.s you should join. Visit each of their websites, listed above, and do your homework!
What is the length of contract and termination requirements you would sign if you affiliated with one of the three P.R.O.s?
Each of the three P.R.O.s has different regulations concerning the length of your contractual commitment and how you, as a writer and/or publisher, can terminate your affiliation.
ASCAP: The contract terms at ASCAP are identical for both writers and publishers and affiliates may resign at the end of any year of the contract upon three months written notice in advance.
BMI: A standard writer’s contract lasts for two years and a standard publisher’s contract is for five years, but some writers and publishers have been able to negotiate shorter-term contracts. The contracts continue to renew for two years (writers) and five years (publishers) if the termination date is missed. Notice of requested termination must be sent by registered or certified mail no sooner than six months and no later than 60 or 90 days prior to the end of the contract term.
SESAC: For both writers and publishers, contracts last for three years and auto-renew for 3-year periods. Contracts may be terminated in writing not more than six months and not less than three months prior to the contract’s scheduled ending.
Note that – unlike ASCAP and BMI – SESAC membership is essentially ‘by invitation only’ and their website states: ‘SESAC requires potential affiliates or their representatives to have a pre-existing relationship with a member of the Creative Services Department. At this time, SESAC is not taking unsolicited affiliation applications.’
At what age can you start your own publishing company?
Because you can write a song at any age, technically you are the ‘publisher’ of the song that you have written (unless you have signed with a publisher), even if you are seven years old.
However, that doesn’t mean you can legally start a commercial enterprise such as your own music publishing business if you are a minor. Running such a business will mean you’d be initiating and/or signing legal documents and that would require you to have reached ‘the age of majority’ which is the age when a person is considered to be an adult, and it may vary according to state laws. In most states, the age of majority is 18, but in Alabama, for instance, the age of majority is 19.
However, there are many highly talented songwriters who begin writing before the age of 18. In many cases, the writer’s parents start a publishing company in behalf of their child and assume the legal responsibilities, at least until the writer reaches the age of majority.
All three of the P.R.O.s mentioned above have very helpful information about starting and operating your own publishing company that you can investigate at their websites.
Knowledge is power
The answers above are just an overview and by no means definitive and complete. I encourage you to do your own research at reliable sources online. A good place to start would be the websites of the three P.R.O.s listed above, and also at the U.S. Copyright Office website where you can find several downloadable ‘circulars’ that are informative and easy to read and understand.
Knowledge is power: Increasing your knowledge of how the music industry works will build your confidence and help you to make informed decisions when opportunities are presented to you.
When Nashville was canceled by the ABC TV network, it was a gloomy day for fans who had followed four seasons of the television show. But it was also bad news for a lot of people (both business and creative) who had benefitted from the show.
So it was a ray of sunshine – on an already very sunny day – when three Nashville stars gathered onstage June 10 at the CMA Music Festival to spread the word that the popular TV series has a new home on CMT. Earlier in the day, CMT, Hulu, Lionsgate and ABC Studios announced that the critically acclaimed and fan favorite Nashville will return with a brand new season on CMT. Hulu will continue to bring fans the series by making all Nashville episodes available to stream the day after they air on CMT, according to a statement released by CMT.
Nashville star Charles Easten was performing on the Riverfront Park stage when he was joined by castmates Clare Bowen and Chris Carmack and CMT personality Coly Alan. They shared the good news with cheering fans as a banner rolled out to proclaiming the hashtags #NashvilleSaved and #NashvilleCMT.
But this was also great news for the Nashville business and creative communities.
‘Nashville’s stars announce show’s move to CMT
The show began as the brainchild of Ryman Hospitality, a Nashville-based tourism and entertainment company that pitched the concept to ABC. The show has been syndicated to 100+ countries and is widely regarded as promoting Nashville as a tourist destination. In fact, the State of Tennessee and Metro Nashville viewed Nashville as a weekly hour-long commercial for visiting the city.
In addition to tourism dollars, Nashville has had a major impact on those employed in the local film and entertainment industry, providing employment for up to 500 people during the 200 days of filming each year.
It was great news for songwriters when Nashville got green lighted for a fifth season, too.
Nashville is a rarity among TV shows in that it regularly features new songs, mostly from Nashville songwriters, that are performed by the cast members. The show’s producers keep a stockpile of songs for each of the show’s characters that they can work into the storyline. When they are hunting for a new song, they’ll contact 25 or more song publishers and listen to a lot of demos.
Getting a song on a hit TV show like Nashville can lead to a nice payday for a songwriter. Even so, publishers are sometimes leery of granting a license to a TV show if they believe the song has a shot at being a big hit on Country radio for a major artist, because that’s still where the big paydays start.
The show has spawned around 16 soundtrack albums (all of which have been released via Big Machine Records) so in many cases songwriters benefitted from both the song being licensed to the show and the record release. Several of the soundtrack albums have peaked in the top ten on the Country album charts.
So the renewal of Nashville on CMT and Hulu is good news for the shows fans, Nashville-based film crew, the tourist industry and particularly for songwriters.
So… get in those Writer’s Rooms, familiarize yourself with the type of songs that make the cut to become part of the show, and get your creative juices flowing! Nashville is back in Nashville and that’s good news for everyone.
Kevin Montgomery will play for you, anywhere in the world
Kevin Montgomery, world traveler
My dear friend Kevin Montgomery has to be one of most traveled singers in the world. As well as appearing at ‘normal’ music venues, Kevin specializes in house concerts. And house concerts are exactly what the name suggests: he will come to your house, anywhere in the world.
In his blog at his website, Kevin explains it like this: “16 years ago when I started doing house concerts I would get some strange looks, especially from artists that were on the more traditional path. Now, it seems everyone wants to do them. Why? Because they are awesome. I bring a small sound system, set it up in a living room, or whatever space is appropriate, and do a show. The host brings their friends, co-workers, family, etc …and we have a party… with a human CD player… me.”
He is prepared to go anywhere. He’s been as far as the Outback of Australia, where he traveled 13 hours (seven of it down a dirt road) to get to a farm where he performed on a flatbed trailer for folks that had driven from as far away as 250 kilometers. He went there after a fan bought his CD from Amazon and then got in touch with him about hosting a concert. He has performed frequently in all parts of the United Kingdom, including Scotland, Northern Ireland and Wales. I managed to catch up with him at a show in Maidstone, England, a few years ago.
“At this point I’ve probably done 300 house concerts,” he noted. “Four ‘50 States in 50 Days’ tours brings that number up to 200 alone.”
Kevin has a notable musical heritage, being the son of the late, great songwriter Bob Montgomery, who got his start in Lubbock, Texas, as half of a duo with Buddy Holly. Bob co-wrote a number of Holly’s biggest hits, including ‘Heartbeat,’ ‘Love’s Made a Fool of You’ and ‘Wishing.’ He also wrote the pop standard, ‘Misty Blue’ that has been a hit for various artists, including Eddie Arnold, Joe Simon and Dorothy Moore.
This summer, Kevin Montgomery will be remaining in the US for a while, but says he is open to literally going anywhere, if he gets asked to perform at a house concert. You can find out where Kevin is in the world right now, learn more about his house concerts, check out tour dates and listen to some of his music here.
As ‘wardrobe malfunctions’ go, it wasn’t the world’s worst, but it was a bit embarrassing for Luke Bryan who was performing live on the Today show. He was singing “I Don’t Want This Night to End,” a song that was a Number One hit for him in 2011 and went on to be certified double platinum by RIAA. The rain was coming down as Bryan performed the song and, on impulse, he decided to peel off his damp jacket.
That would have been fine – except fluttering from his T-shirt were the white tags, still hanging from the collar. It took a minute or two before Bryan realized what the fans were pointing at, and he laughed as he stopped to pull off the tags and toss them into the crowd. For many, it was reminiscent of Minnie Pearl (Sarah Cannon) who would appear on the Grand Ole Opry stage wearing a fancy straw hat with the price tag hanging from the brim.
Luke Bryan is not easily flummoxed and, as an established star, can easily handle minor snafus such as a forgotten tag on a T-shirt. But if you are an emerging artist, there’s a learning moment here. Walking out on stage with an overlooked price tag or sticky size label attached to your clothing might be enough to throw you off kilter, just when you wanted to sound and look your best. There you are, starting your first song, and you notice audience members smirking and staring at… what? OMG! The price tag is still on my shirt!!
Unless you are at Luke Bryan’s star level, dealing with that kind of a moment is not something you’ll want to do. So let Bryan’s boo-boo be a reminder for you as you prepare for every performance: Are all the labels and tags removed from your clothes? Are zippers zipped up and buttons buttoned up? Is there toilet paper stuck to the heel of your boot? Something green stuck in your teeth?
Take a moment before every show to ensure your appearance is just the way it should be (better still, have someone else give you a quick visual once-over) and you won’t have a ‘wardrobe malfunction’ that throws you off balance at a crucial moment.
My monthly column, ‘Inside Track on Music Row,’ is published in magazines and on websites worldwide. To read archived columns, go to 
artists in music when it comes to marketing themselves, and the Country Music Hall of Fame member continues that trend with the upcoming August 19 release of her new disc Pure & Simple – with four different pre-order bundles to help promote the album. The bundles range from the Standard Bundle ($40) to the Commemorative Bundle ($400). Fans can go to 
In every business, there are some things you just have to know. Your songwriting career is no different. Here are seven questions you should be able to answer. If you’re not sure of the answers, go online and search for the information before you scroll down to read the answers. By carrying out your own research, you are more likely to retain the information, adding to your knowledge of the music industry.
What are the 6 exclusive rights bestowed upon the owner of a song’s copyright?
2. What should you do after you have written (or co-written) a song?
True or false: A song has copyright as soon as you finish writing it.
Name the three Performing Rights Organizations (P.R.O.s) in the United States.
