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MAGS is ‘Strong Enough’ to make her mark on Nashville

Singer, dancer, multi-instrumentalist plays her first CMA Fest

Mags McCarthy, known professionally simply as MAGS, grew up on a farm like many country artists. However, this farm wasn’t in Alabama, Georgia or Tennessee. Her family farm is in County Cork, Ireland.

Recognized at a young age as an accomplished dancer, singer and instrumentalist (primarily the violin) she joined the world-famous Irish dance troupe, Rhythm of the Dance, touring with them all over the world.

Branching out to become a solo performer, she has continued to tour worldwide and has performed before members of the British Royal Family, the President of Ireland and at the White House for President Barack Obama and First Lady Michelle Obama. She has racked up more than 600 tour dates in the past two years, often breaking into a dance as she sings and plays her fiddle, passed down to her by her grandfather.

She played to enthusiastic audiences during CMA Fest in Nashville where she now makes her home since moving here in January 2018. We met on Music Row to talk about her new single, ‘Strong Enough,’ and what brought her to Nashville.

Need to be in Nashville

Preshias Harris: You’ve toured the world as a principal dancer with Rhythm Of The Dance and as a solo performer. What drew you to Nashville?

MAGS, with her grandfather’s fiddle. Photo credit: Preshias Harris

MAGS: I always wanted to come to Nashville. I grew up listening to Dolly Parton, Patsy Cline all my life. I was always a singer and songwriter and I always felt that I need to come to Nashville for the songs. As a singer, it is the place that everyone wants to go to – Nashville. I lived in Los Angeles for a few years but I’ve always felt that I wanted to be in Nashville because of the music I grew up with. So I made the big move in January and I haven’t looked back since. I absolutely love it here.

PH: So you think it was meant to be, for you to be here?

MAGS: I do. One hundred percent.

PH: Do you feel a connection between the traditional folk music of Ireland and the Country and Bluegrass music in the States?

MAGS: Oh, it’s massive. Even my style of playing [the fiddle] I have that connection, a sort of Bluegrass playing. I was born and raised playing Irish music but I feel that connection of where Bluegrass originated from. I think that’s one of the reasons why Ireland is so big into country music. It’s that connection to Bluegrass music.

PH: What can the audience expect to see and hear when they come to a MAGS show?

MAGS: When you come to my show, you can expect fun, energy, dancing. I love for an audience to leave feeling they’ve been fully entertained by my show, from my singing, my songwriting, my fiddle playing. I am a bit of a ’live wire’ on stage! People have said that to me. I want them to go home having seen an artist they haven’t seen before. And that’s what I’ve always tried to portray with my talents, whether it’s my Irish dancing and playing my fiddle at the same time, or singing my own songs. I love the audience to get energized, to be happy, to feel they’ve had a night’s entertainment and I made them feel welcome.

Audience energy feedback

PH: Do you get an ‘energy feedback’ from the audience?

MAGS: Oh, one hundred percent! When I see the audience happy, it makes me want to entertain more and more and more and get them involved! The audience can ‘feed’ you and it gives you confidence. When you go out on stage at first, you are hoping they’re going to like you. You’re praying, oh my God, I’ll do my best here, but I’ve always tried to make them feel welcome to me and make that connection.

PH: You have a wide range of musical influences from traditional to pop to Country. Can you tell us about how some of those influences have defined your music?

MAGS: I grew up listening to traditional Irish music and pop music as well as country. Over the years I have incorporated [the influence of] Bruce Springsteen and Elvis Presley, one of my favorite artists of all time. People have said to me ‘you have your own sound,’ but it’s because I’ve incorporated all of what I’ve listened to growing up all my life into my music today. That’s created my own sound from listening to Springsteen, Shania Twain, Dolly, Elvis, even to the Doobie Brothers. I listened to all that music, and to pop music today from Katy Perry to all the music kids listen to today. A huge range of genres of music. While I was performing during CMA Fest, one of the crew guys came over and was very complimentary and said, ‘you sound like Linda Ronstadt,’ and I thought that was a huge compliment. They said I was different. I said, ‘I hope I’m not too different!’

‘Make it to the Opry’

PH: Tell us about your new single, ‘Strong Enough.’

MAGS: I’m delighted with the response I’m getting from it. People have been very supportive. I’m very, very grateful to the people who support me and follow me on social media.

PH: What is one of your favorite songs you’ve recorded?

MAGS: One of my favorite songs that’s precious to me is ‘Opry.’ It’s a song about my whole life story. I grew up on a farm back home and the first verse is about me growing up and wanting to go to Nashville. The chorus is:

No, nothing’s going to stop me, til I make it to the Opry

Because I know there’s always room for one more song

On stage with Garth and Dolly, I’ll be there with everybody

Please won’t somebody listen to my song

The Grand Ole Opry’s the place where I belong

And the second verse goes on about how I played in bars for tips and meals, and got taken in by crooked deals, and so on! So it pretty much tells my life story of where I am today. It’s the dream of every artist to be at the Grand ole Opry. It’s definitely my dream.

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MAGS is one of the most dynamic new personalities to enter Nashville’s music scene and is set to make a major impact on country music fans in the USA and overseas. Listen to MAGS singing her new single, ‘Strong Enough,’ at her website.

Follow MAGS on Twitter here, on Instagram here, and on Facebook here. Catch her pro reel at YouTube here.

Note: I originally posted this story here on the European website for Country Music News International magazine and radio show.

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Preshias Harrisis a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology 101: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com

Persistence pays off for Carly Pearce

Invested years building toward success

“I wouldn’t change anything about my personal journey in the industry. I had to figure out who I was as an artist. I’m glad this didn’t happen when I was twenty-one. I wouldn’t have appreciated it as much as I do now.” – Carly Pearce

It’s a long way from Taylor Mill, KY to Nashville, TN, but perseverance paid off for the 28-year-old singer-songwriter who never gave up on her dream.

[L to R] busbee, Carly Pearce and Emily Shackelton celebrate. together. Photo credit: Ed Rode

Nashville’s music community came out to celebrate the success of Carly Pearce’s ‘Every Little Thing’ (Big Machine Records) on Monday, March 19. The Number One party, co-hosted by ASCAP and BMI was held at the CMA’s headquarters on Music Row, to honor Carly and her co-writers, Emily Shackelton and busbee.

The party celebrated ‘Every Little Thing’ topping Mediabase and Billboard’s Country Airplay chart. Not only was it Carly’s first No. 1 single, it was also the first No. 1 for one of her co-writers, Emily Shackelton. busbee, who also produced the song, is a music industry veteran with a string of hits both as a songwriter and producer.

Carly’s whole life, she told us, has focused on music. She was speaking at a media session before the awards presentation. “I dreamed about being on stage since I was nine years old,” she said.

Carly Pearce in front of the ‘Country Forever’ wall at the CMA Offices on Music Row. Photo Credit: Preshias Harris

“I’m an only child, and my parents have always supported my dreams,” Carly said. When she was sixteen, her family relocated from Taylor Mill in Kenton County, KY, to East Tennessee so she could follow her dream by finding work at Dollywood, the entertainment complex and theme park owned by Dolly Parton. When that dream took her from Pigeon Forge to Nashville, she had to find ways to support herself, often with menial jobs such as cleaning Air B&Bs. She said that her parents’ support and encouragement kept her going, even when she became disheartened and didn’t feel she could go on.

Long way from Dollywood to Number One

It’s been a long journey from those days in her mid-teens at Dollywood to standing on a stage, holding an award for a Number One hit song. There have been ups and downs in her career, but “I wouldn’t change anything about my personal journey in the industry,” she said. “I had to figure out who I was as an artist. I’m glad this didn’t happen when I was twenty-one. I wouldn’t have appreciated it as much as I do now.”

Speaking about this special occasion, Carly revealed, “I’ve dreamt of what it would be like to have a No. 1 song since I moved to Nashville.” She continued, “If I am living proof of anything, it’s that one song can change everything. I have experienced that with my peers over the years and have listened to the stories behind the songs that changed other people’s lives.” She added that, at the time she recorded ‘Every Little Thing’ she had no idea that was going to be the song that changed her life.

Carly was scheduled to appear at The Grand Ole Opry the next evening. I asked her if it will be different this time, with a GOLD-certified single to her credit.

“I’m nearing my 50th Opry performance,” she said. “The Opry has always showed me support, even when I didn’t have a record deal or a publishing deal [and] I had nothing going on. It’s a special time every time I step on the Opry stage.”

Carly added, “I dream of being an Opry member one day.”

The song’s co-writer and producer, busbee, has written or produced songs for artists such as Christina Aguilera, Tony Braxton, Adam Lambert, Lady Antebellum and Gwen Stefani. I asked Carly what it was like working with busbee. Carly said that, when she first met him, she thought, “he’s more pop and I’m country. I’m not sure he’s going to ‘get’ me.” However, she soon realized that it was a great working relationship. “It was amazing,” she said. “Like it was meant to be.”

ACM nomination: “I just screamed!”

Carly Pearce fields media questions before the Number One party. Photo credit: Preshias Harris

Carly was asked how she found out she had been nominated for an ACM award in the ‘New Female Vocalist of the Year’ category. She said she was in-flight on a plane when she received the news. “It’s hard to explain my feelings,” she said. “I just screamed!” She said that she used to sit on her couch, watching the show and dream of being nominated one day. Even if she does not win, “Being recognized in an honor on its own,” she emphasized.

Carly also talked about her experiences as part of Blake Shelton’s ‘Country Music Freaks Tour’ with Trace Adkins and Brett Eldridge. She said that Blake and Gwen Stefani were so kind to her. “Gwen is the most ‘down to earth’ person I’ve ever met, even though she’s a megastar,” Carly recalled. However, she admitted she was ‘too scared’ to ask Stefani for any fashion tips!

Learning how to ‘work’ an audience

Asked what she learned from the tour, Carly said, “I’m stronger than I think I am. I can go with less hours sleep than I thought I could!” She added that she learned a lot just from watching Blake Shelton and Trace Adkins. “They know how to ‘work’ an audience,” she said.

“If I am living proof of anything, it’s that one song can change everything.” – Carly Pearce

Carly is a true ‘country’ girl, born and raised in the small town of Taylor Mill in northeastern Kentucky, and is ‘pure country’ to her soul. Her next single, ‘Hide the Wine,’ is already climbing Billboard’s Country Airplay chart. More at https://www.carlypearce.com and follow her on Facebook and Twitter.

Emily Shackelton

Co-writer Emily Shackelton, a native of Biwabik, Minnesota, is signed to Liz Rose Music/Warner-Chappell publishing in Nashville. In addition to ‘Every Little Thing,’ her first No. 1, her songs have been recorded by Wynona Judd, Sara Evans, Cassadee Pope and X-Factor winner Tate Stevens, among others.

Jean Shepard: An inspirational country music pioneer

Jean Shepard broke down barriers and inspired female artists who followed

Jean Shepard was more than ‘just’ a country music artist. She was instrumental in changing the way country fans – and the music industry – regarded female singers.

In the early 1950s, solo female country artists were very few and far between, Kitty Wells being one of the most notable of the few. The absence of female country singers was something of a self-fulfilling prophesy on the part of record label executives: they were convinced that nobody wanted to hear female artists so they didn’t sign any, and then of course, no female singers were cutting songs and no records by female artists were showing up on the charts. Those record execs could look at the charts and say, “See? Songs by female artists aren’t selling.”

Her big break came thanks to her own determination when she pretty much invited herself onto the stage in 1952 while Hank Thompson, a big star at the time, was performing. Thompson was impressed both by Shepard’s talent and her resolve and convinced the very reluctant execs at his label (Capitol Records) to sign her.

After one non-charting single, Capitol teamed her with one of their male artists, Ferlin Husky, on “A Dear John Letter,” a million-plus seller that topped the Country charts and became a pop hit too. Touring with Husky – he was appointed her legal guardian as she was still a minor – she quickly became a fan favorite in her own right. Her popularity was such that, when she was only 22, she became only the third female artist invited to join the Grand Ole Opry, the other two being Kitty Wells and Minnie Pearl. (At the time of her death, Shepard was the only female artist to have been a member of the Opry for sixty years.)

Inspiration to female artists

By breaking through as a female singer in a male dominated music world, she inspired other young women to persevere with their craft and not give up the dream. So many female country stars that came along after her have cited Shepard as a true role model.

Shepard’s resilience was also remarkable in the face of so much adversity in her personal life. She grew up desperately poor, the daughter of a sharecropper with her nine sibling in a home without running water or electricity. Later, at the height of her career, when she was eight months pregnant, she lost her husband Hawkshaw Hawkins in the 1963 plane crash that also killed Patsy Cline and Cowboy Copas. Despite her grief, she returned to the Opry and the recording studio, determined to maintain her career and support her small children.

Country’s first ‘concept album’

A rarity for female artists at the time, Shepard was not afraid to sing and record songs, including “The Root of All Evil (Is A Man)” and “Twice The Lovin’ In Half The Time,” that focused on ‘gritty’ subjects such as adultery and broken marriages from a woman’s point of view. Artists such as Loretta Lynn note that Shepard’s album “Songs of a Love Affair” opened the door for them to sing about subjects that might have otherwise been nixed by record labels. “Songs of a Love Affair” is recognized as the first ‘concept’ album in Country music.

Jean Shepard, with Bill Anderson, celebrating 60 years as an Opry member in 2015. Photo: Chris Hollo

Often described as ‘feisty’ – she made no secret of her distaste for modern ‘pop-country’ music – she had strong convictions and a strength of character that stayed with her throughout her personal and professional life. Jean Shepard was a pioneer and an inspiration to any aspiring artist who feels the odds are stacked against them. As Brenda Lee said when Shepard was inducted into the Country Music Hall of Fame in 2011: “She busted down the doors.”

For a discography and more about Jean Shepard’s long career at the Opry, click here.

Ollie Imogene (‘Jean’) Shepard, November 21, 1933 – September 25, 2016. She is survived by her husband, Benny Birchfield, and sons Don Robin Hawkins, Harold Franklin Hawkins II and Corey Birchfield.

20 years at Opry for Steve Wariner

Bill Anderson (l) joins Steve Wariner on the stage of the Grand Ole Opry.

Congrats to Steve Wariner, a four-time GRAMMY and CMA Award winner, who celebrated his 20th anniversary as a member of the Grand Ole Opry on May 14. Pete Fisher, Grand Ole Opry Vice President and General Manager, presented Wariner with a special plaque during the singer/songwriter’s performance. Country Music Hall of Fame member Bill Anderson, who inducted Wariner into the Grand Ole Opry 20 years ago, also was on hand to pay tribute to his longtime friend. Wariner is currently in the studio working on a new album to be released later this year. His next concert performance will be at City Winery in Nashville on June 11 at 8:00 PM during CMA Music Festival. The show will be filmed for a future project. More at SteveWariner.com