Tag: Little Big Town

Your Inside Track on Music Row, November 2024

Hot new Country singles and albums tour updates and more

By Preshias Harris 

QUOTE OF THE MONTH: “Undeniably, I’m a country singer; I’m a country songwriter. But I feel like I make country music for people who like country music and for people who don’t.” – Kasey Musgraves

BIBLE VERSE OF THE MONTH: My heart, O God, is steadfast, my heart is steadfast; I will sing and make music. – Psalms 57:7

Can it be November already? With Thanksgiving fast approaching and Christmas just around the corner?! SO much to get to in this edition of ‘Inside Track on Music Row,’ the longest continuously-running monthly country music column in the USA. Scroll down to check out a whole bunch of new albums and singles to listen to, plus tour updates, Opry news, songwriter pub deals, Christmas music and a lot more. As always, my heartfelt thanks to the artists and songwriters and their reps who keep me in the loop about what’s new with you! So let’s kick off with a roundup of some albums you need to know about… 

ALBUM NEWS

KELSEA BALLERINI: When you write songs from your own life, it takes a lot of living to come up with something special. Thankfully, for multiple Grammy nominee and Country Music Association award winner Kelsea Ballerini, a 30-something who never stops, inspiration is never hard to come by. Having created a deep dialogue with her fans, a lot has happened since the Grammy-nominated Rolling Up The Welcome Matand Rolling Up The Welcome Mat (For Good).

Kelsea Ballerini. Photo: Nyk Allen

Teaming with producer and longtime collaborator Alysa Vanderheym, Ballerini opted for an all-girl approach to PATTERNS. Crystalizing after a songwriting retreat with Vanderheym, Songwriters Hall of Fame inductee Hillary Lindsey, GRAMMY Songwriter of the Year nominee Jessie Jo Dillon and Little Big Town’s Karen Fairchild, the honey blond superstar decided to create an album that focused on female friendship, being vulnerable and honest, owning one’s jagged spaces and the way relationships really are, not the way they look on Instagram.

“There was an unpresumed feeling of knowingness that happened on that retreat,” Ballerini reports. “I felt safe, so then I was able to feel honest, and then more so, creative. We were all, as songwriters, in tandem but more so as women just in a real heart flow of it all. Having these heroes and friends champion the process and the guts of it all has been one of the joys of my career.”  Pre-order exclusive PATTERNS on vinyl and CD here via Black River Entertainment. Listen/download the single “First Rodeo” here, and watch the evocative music video here. #KelseaBallerini

Megan Moroney

MEGAN MORONEY: The much-anticipated release of Am I Okay? (I’ll Be Fine) — the deluxe edition of Sony Music Nashville/Columbia Records singer/songwriter Megan Moroney’s widely acclaimed sophomore album – dropped in early October. Featuring three brand-new tracks, the newly expanded version of Am I Okay? arrives just months after Moroney scored the year’s third-biggest Billboard 200 debut from a female Country artist. Listen to Am I Okay? (I’ll Be Fine) here.

Am I Okay? (I’ll Be Fine) includes a selection of songs she’s recently teased during her must-see live show and on social media. Both written by Moroney, David “Messy” Mescon, Rob Hatch, and Ben Williams, “Break It Right Back” and “I’ll Be Fine” offer the latest evidence of her enormous talent for penning truly unforgettable heartbreak ballads. To that end, “Break It Right Back” takes the form of a piano-laced stunner about the shattered hopes of falling for someone too good to be true (inspiring over 22k creates after Moroney teased it on TikTok), while “I’ll Be Fine” serves as a heavy-hearted response to the album’s wildly hopeful and Country radio-dominating title track.

Moroney will soon release Am I Okay? (I’ll Be Fine) on vinyl on December 13. Pre-order the vinyl here. Tour/ticket updates at Megan’s website and more on social media. #MeganMoroney

GEORGE JONES: Fans of George Jones are in for a treat with the announcement of the new album, George Jones: The Lost Nashville Sessions set to release on November 15 on Country Rewind Records. Preorder / stream the album here. Originally recorded for radio airplay in the 1970s, these tracks have been enhanced, capturing Jones’ signature sound by bringing the audio quality up to twenty-first-century standards. This was achieved by subtly adding instrumentation and background vocals beneath Jones’ voice where needed.

Continue reading “Your Inside Track on Music Row, November 2024”

Darius Rucker reunites with Hootie and the Blowfish during surprise CRS appearance

Keith Urban forgets words to new song

Darius Rucker

CRS featured an unforgettable show at the Ryman Auditorium in Nashville as Darius Rucker reunited with his Hootie and the Blowfish bandmates.  Unforgettable? Well… Keith Urban DID forget the words to his new song, which made the show unforgettable for a forgetful reason!

Universal Music Group Nashville (UMG) invited attendees of this year’s Country Radio Seminar (CRS) to a lunchtime showcase at the Ryman Auditorium on February 14.  CRS, now in its 50th year, is the world’s largest gathering of radio decision-makers and the recording artists who wish to interact with them.

Little Big Town at UMG at the Ryman. Photo: Harris

Royce Risser, UMG’s Executive Vice President of Promotion emceed the event, getting in a few witty ‘digs’ at radio execs in the audience as he light-heartedly urged them to add these songs to their playlists.  In a fast-moving show, each act came on stage to perform one song – generally a cut that would impact Country Radio in the days or weeks ahead. (See below for a full list of performers.)

Keith Urban debuts “We Were”

Keith Urban came out on stage to perform “We Were,” a song so new that he brought out his cell phone so he could sing and play along to it.  Technology is subject to Murphy’s Law (If anything can go wrong, it will) and the track stopped playing after just a few bars.

Undeterred, Urban re-started the track and, when it once again failed, he carried on singing to just his acoustic guitar. But a minute or so later he suddenly stopped. “Oh my gosh!” he told the audience. “I’ve forgotten the words to this dang song! Can you believe it!”

A less experienced artist might have suffered a total meltdown, blowing a song in front of hundreds of radio professionals who make the decisions about what gets aired. But being a true professional, he picked up the threads of the song and carried on, much to the delight of his audience.  If nothing else, they will all remember Urban’s “We Were” when they get back to their radio stations.

Vince Gill at UMG at the Ryman. Photo: Harris

Later, Vince Gill took the stage and, as he sat on his stool, he jokingly said he had been planning to bring his phone out and play to a track on it. “Keith said that was a really cool idea,” said Gill glancing off to the side of the stage with a smile. Guess no one is going to let Keith forget that.  2019 marks the 30th year that Vince Gill has been with MCA, part of the UMG family of labels. Risser noted that Vince has earned 18 CMA Awards and 20 Grammys, including wins for ten consecutive years.

More highlights of the UMG show

Continue reading “Darius Rucker reunites with Hootie and the Blowfish during surprise CRS appearance”