songwriters Archives - Page 2 of 9 - Nashville Music Line

Songwriters honored for Jimmie Allen, Morgan Evans hits

Two ‘Number One’ parties in Nashville

Jimmie Allen (Stoney Creek) celebrated his debut No. 1 single “Best Shot” at The Local in Nashville, Tuesday January 21. Pictured (back, L-R) are Major Bob’s Tina Crawford, SESAC’s Shannan Hatch, Wide Open Music’s Ash Bowers, Major Bob’s Chandler Thurston, BMI’s David Preston, the label’s Jon Loba and producer Eric Torres; (front, L-R) songwriter Josh London, Allen and songwriter J.P. Williams.

Morgan Evans (Warner Bros./WEA), celebrated his first chart topper, “Kiss Somebody,” at No. 1 party held at Soundcheck in Nashville. Pictured (front, L-R) are songwriter/producer Chris DeStefano, Evans and songwriter Josh Osborne; (back, L-R) the label’s Adrian Michaels, Matt Signore, John Esposito, Scott Hendricks, Tom Martens and Justin Luffman.

CMA names recipients of Triple Play Awards

Tickets on sale now for Feb 19 show

The Country Music Association has revealed the recipients of the 10th annual CMA Triple Play Awards, an honor presented to songwriters who pen three No. 1 songs within a 12-month period based on the Country Aircheck, Billboard Country Airplay and Billboard Hot Country Songs charts.

In total, 10 songwriters will receive trophies this year: Luke Combs, Jesse Frasure, Nicolle Galyon, Ashley Gorley, Tyler Hubbard, Josh Kear, Shane McAnally, Chase McGill, Josh Osborne and Thomas Rhett.

Galyon will host a very special CMA Songwriters Series Presented by U.S. Bank performance, taking place Tuesday, Feb. 19 at Marathon Music Works in Nashville at 7:00 PM (doors 6:00 PM) and also featuring Combs, Gorley, Kear, McGill and Osborne.

(L to R) Nicolle Galyon, Luke Combs, Ashley Gorley, Josh Kier, Chase McGill, Josh Osborne set to appear at CMA Songwriters Series, Feb 19. Photo: CMA

Continue reading “CMA names recipients of Triple Play Awards”

Jake Owen, songwriters celebrate No. 1

“I Was Jack (You Were Diane)” Jake’s 7th No.1

Pictured, Top Row (L-R): Round Hill’s Mark Brown, Big Loud’s Seth England, ASCAP’s Beth Brinker, Sony ATV’s Tom Luteran, BMI’s David Preston, Big Loud Records’ Clay Hunnicutt and Joey Moi. Bottom Row (L-R): ASCAP songwriters David Ray and Craig Wiseman, BMI songwriters Jake Owen, Tommy Cecil and Jody Stevens, and Missi Gallimore. Photo: Ed Rode

Jake Owen’s Number One Party for “I Was Jack (You Were Diane)” had the CMA Special events room packed with music industry execs, songwriters, publishers, agents, radio promotion people, managers, special guests, family and friends. They were all celebrating Jake’s 7th number one song and his first single released on Big Loud Records. The songwriters being honored were David Ray, Tommy Cecil, Jody Stevens, Craig Wiseman, and John Mellencamp, along with producer Joey Moi. The party was co-hosted by ASCAP and BMI.

Kicking off the kudos was David Preston from Artist/Writer Relations at BMI. David is always very praising of BMI’s songwriters and their co-writers. This party was no exception.

{L to R): Beth Brinker (ASCAP) jody Stephens, Craig Wiseman, Tommy Cecil, Jake Owen and David Lee. Photo: Preshias Harris

After giving his accolades for the BMI writers, David introduced his “co-host” Beth Brinker from ASCAP’s Artist/Writer’s relations. She is just a bubbly ray of sunshine beaming from the stage. She also had kind words for all the writers and bragged on David Lee as it was hit first cut and his first number one, since making Nashville his home in 2013.

Amazing 350 cuts for Craig Wiseman

Then it was Craig Wiseman’s turn. I thought to myself, I knew he was an AMAZING WRITER and in the Nashville Songwriter’s Hall Of Fame (2015), but I didn’t realize he had 350 cuts, 125 singles and 27 Number one singles!! Oh, I almost forgot… In 2009, he was named NSAI’s Songwriter of the Decade, then in 2014, he won the Heritage Award from ASCAP as the most performed country songwriter of the century. ASCAP named him Songwriter of the Year 2003, 2005 & 2007.

With all the songwriters on stage, (except John Mellencamp) it was ALL smiles across the stage with Jody Stevens, Craig Wiseman, Tommy Cecil, Jake Owen and David Ray and producer Joey Moi. The song echoes the feelings of John Mellencamp’s 1982 hit, “Jack and Diane.” Prior to release, Jake secured Mellencamp’s agreement to incorporate elements of the original song and Mellencamp receives a writer’s credit.

The best part was seeing everyone sincerely excited for Jake. He really is a super nice guy.

Jake has also been added to the lineup for Luke Bryan‘s “CRASH MY PLAYA – 5TH YEAR FIESTA,” that is set for Wednesday January 23rd through Saturday, January 26th, 2019 in Riviera Maya, Mexico.

FYI: Jake his girlfriend Erica Hartlein prepares to welcome another daughter in late spring/early summer 2019. More info on Jake Owen, including tour info, at his website and Facebook.

Preshias Harris is a music journalist and music career development consultant with the emphasis on new and aspiring artists and songwriters. Her book, ‘The College of Songology 101: The Singer/Songwriter’s Need to Know Reference Handbook’ is available at www.collegeofsongology.com Follow her blog at www.nashvillemusicline.com

Darius Rucker celebrates Number One ‘For the First Time’

Co-writers join Rucker at Number One party

Darius Rucker, Derek George and Scooter Carusoe were honoured at a Number One party, hosted by ASCAP and First Tennessee Bank held at ASCAP’s Nashville office. ‘For the First Time,’ Rucker’s ninth Number One, produced by Ross Cooperman, is the second single from the album, ‘When Was the Last Time’ (Capitol Nashville).

‘For The First Time’ is the third Number One for Derek George as a writer. For Scooter Carusoe, the song is his fifth as a songwriter and his fifteenth as a publisher.

Before the award ceremony, Darius, Derek and Scooter sat down to take questions from music industry journalists.

L to R: Derek George, Darius Rucker, Scooter Carusoe. Photo credit: Preshias Harris

Darius recalled the writing session during which ‘For The First Time’ was written. “For me, we started out with just that first line, I mean, I didn’t even need to hear the chorus. I’m like, that’s cool,” he said. “It was one of those songs; I was just writing about me again, once we started writing. It’s a song that, at this point in my career, it was a really cool song to write. To have so much fun as I’ve had, thinking about all the things I said I was going to do when I was a kid, if I would ever make it, and now, everything in that song came from my bucket list.”

‘That never, ever get’s old’

Asked what it felt like when he heard that the song had reached Number One, Darius said with a chuckle that he found out when he was on the road. “I want to say something that Charles Kelly said to me that will always stand the test of time. He said, ‘that never gets old.’ And I was like, yeah, that never, ever gets old. It’s always awesome.” Continue reading “Darius Rucker celebrates Number One ‘For the First Time’”

The Simpsons know the music biz

Synch licensing pays big $$$ over 30 seasons

The writers of the Simpsons apparently know a thing or two about the music business. Or at least the challenges faced by songwriters in the current climate.

In a recent episode, Lisa asks Bart to write a song for her…

Bart: “What will you do for me if I write the song?”

Lisa: “I might make brownies later.”

Bart: “Wow! That’s the best deal any songwriter ever got! And that’s true even if I don’t get the brownies!”

Bart and Lisa. Image copyright Twentieth Century Fox

Hard to believe that the Simpsons have just started their thirtieth season. Over the years, the show has featured a lot of music, both original and pre-existing songs for which the production company had to get clearance prior to use with a synch license.

Fees for a network show such as The Simpsons could be in the $6,000 to $10,000 range for an ‘all television’ synchronization license. Even if Bart doesn’t get the brownies, quite a number of songwriters and music publishers have pocketed some nice change over the years thanks to that animated family.

For a full list of every song ever featured in the Simpsons, by season and episode, visit this Tunefind website. Each listing include the composition’s title, the composer and/or recording artist and links to Spotify, Apple Music, etc. Season 28 was particularly tuneful with eighty-eight songs.

“No idea how songwriting works”

“I used to think I knew what I was doing 40 years ago, but now I have no idea how songwriting works.” – John Prine

So, take heart, aspiring songwriters! John Prine – one of America’s most respected singer/songwriters has confessed his lack of understanding. Now you have permission to ‘fess up. You can honestly (sort of) say that you know as much about songwriting as John Prine does.

That quote was taken from an interview in the May 2018 edition of American Songwriter. And so was this one:

“I was waiting and waiting until the song knocked on my door, but I had to put some sort of effort into it, finally. You’ve got to get in there at some point and pull the tooth out.” – John Prine

Songwriting, like any other endeavor, takes a combination of dedication, focus and perseverance. Sitting around waiting for inspiration to strike you isn’t going to cut it.

Keep your hook book handy

Sure, sometimes an idea does suddenly pop up, seemingly from out of nowhere. That’s why you have a hook book, to keep all the words and phrases that come to you when you least expect them. Maybe it’s something you saw on the TV news or a snatch of overheard conversation at Starbucks.

But it’s in the writers’ room when you and your co-writers take those vague ideas, words and phrases and work at turning them into songs. It’s one percent inspiration and ninety-one percent perspiration. Get in there and pull the tooth out.

As for the amazing Mr. Prine, earlier this year he released his first album of new songs in thirteen years. Titled ‘Tree of Forgiveness,’ it was produced by Dave Cobb and released on Prine’s own label, Oh Boy Records.

Read more about John Prine, his music and his upcoming tour dates (most of which sell out fast) at his website.

Luke Combs, co-writers, celebrate No. 1

‘One Number Away’ goes Platinum

Tuesday was a celebration of music milestones for Luke Brian and co-writers Sammy Mitchell, Steven Battey and Robert Williford. ‘One Number Away’ was the reason for the celebrations, and for the standing-room-only crowd at the Number One party at the Sutler Basement in Nashville. ‘One Number Away’ is Luke’s third Number One and the third cut from his debut full-length album, ‘This One’s For You.’ The party was hosted jointly by ASCAP, BMI and SESAC.

Pictured (L-R): Sony Music Nashville’s Steve Hodges, Sony Music Nashville’s Shane Allen, MakeWake’s Zebb Luster, Big Machine’s Mike Molinar, River House’s Lynn Oliver-Cline, BMI songwriter Robert Williford, 50 Egg’s Jonathan Singleton, Luke Combs, ASCAP’s Beth Brinker, ASCAP songwriter/producer Steven Battey, SESAC songwriter Sammy Mitchell, SESAC’s ET Brown, Concord Music Publishing’s Brad Kennard, and BMI’s Leslie Roberts. Photo: Peyton Hoge

In a previous interview Luke said, “We aren’t supposed to be here yet.” Hmmmm… let’s check out the stats. In the last 30 days: Recognized the success of Luke’s three number one singles. Debut single ‘Hurricane’ has been certified 3x Platinum while the next follow-up, ‘When It Rains It Pours’ was certified 2x Platinum. Meanwhile, ‘One Number Away’ was certified Platinum and album track ‘Beautiful Crazy’ was certified Gold by the Recording Industry Association of America (RIAA).

First No. 1 for Robert Williford

Continue reading “Luke Combs, co-writers, celebrate No. 1”

How to build community with YouTube

Official Artist Channels ‘pull it all together’

YouTube wants artists and musicians to build a home on their platform. And they’re telling you how to do it.

YouTube made a concerted effort to reach music creators with PowerPoint presentations at both Music Biz 2018 and Summer NAMM in recent weeks. The company is aware that both music creators and music listeners/viewers are increasingly seeing YouTube as a go-to music platform. In the presentation titled ‘Creating a Home for Music on YouTube,’ the company showed how artists and songwriters can effectively showcase their work and connect and engage with fans.

Benefits of your own Official Artist Channel

The key, according to YouTube’s Nathan Sheppard*, is building and maintaining your Official Artist Channel (OAC). Most music creators probably have some kind of presence on YouTube, perhaps even their own channel. But YouTube believes that your OAC can be your prime marketing tool – if you take advantage of all its possibilities.

Among the benefits of a fully-functioning OAC:

‘Direct to Fan’ features: Your OAC unites your full body of work under one banner. Your fans and followers now have a single place to subscribe.
Attribution: Visitors will see a music note icon next your name (or your OAC name) so they know everything posted here comes officially from you.
Search optimization: When visitors search for any of your output on YouTube, your OAC shows up at the top.

The parts of an OAC

As Nathan pointed out, an OAC isn’t a new channel. It is a new layout that can be used on any channel that is owned and operated by you the artist, your management or your record label. He showed the ‘parts’ of an OAC: Continue reading “How to build community with YouTube”

The Band Steel catch Moon in a Mason Jar

Creating Country that rocks

Bo Steele and Ben Rubino are the Band Steele. They’ve been friends since they met in high school in Winston County, Alabama. After a video of Bo singing in a hospital waiting room went viral, they became celebrities appearing on local television and the nationally-syndicated Rick and Bubba radio show. They are now signed to indie label Fire River Records.

Bo and Ben are currently touring to support their new album, MOON IN A MASON JAR. ‘Good Times,’ one of the tracks on the album, is featured in the movie ‘Life on the Line’ starring John Travolta, Kate Bosworth and Sharon Stone. (Bo also secured a role in the movie!)

The Band Steele sat down to talk with me just after Fan Fest 2018. Or rather, Ben could talk, but Bo, who was suffering from strained vocal cords, was under doctor’s order to have complete vocal rest. Ben spoke for both of them while the normally talkative Bo wrote some notes that he could share with Ben and me during the interview.

This is one of a series of interviews that I conducted with rising singer/songwriters during CMA Fest to find out about their new music, their musical influences and their experience at CMA Fest.

Playing on Broadway

Preshias Harris: Tell us what was one of the highlights of CMA Fest 2018 for you? And did you get to see any of your favorite artists?

Ben Rubino: We were too busy to see any of our favorite artists. But my highlight would be that we got to play down on Broadway at The Valentine. Just playing on Broadway, that’s what Nashville’s all about. So that was my highlight for sure.

PH: Was there any moment this year, interacting with fans, that stood out for you?

BR: So hard for me to pinpoint a moment. But the reaction from everybody, it was just amazing. I remember we were playing Alley Taps in Printers Alley and there was this table off to our left. We were jammin’ and they were just loving it! They were complete strangers and they were in that moment where I was at and it was just awesome!

PH: So the stars just lined up?

BR: Yeah, it was just a good feeling!

PH: Was this your first CMA Fest?

BR: It was our first time performingat CMA Fest.

PH: What were your main influences when you were growing up?

The influence of Lynyrd Skynyrd

Continue reading “The Band Steel catch Moon in a Mason Jar”

Music Row is disappearing, brick by brick

Another icon doomed to die, unless…

Looks like another piece of Music Row will get bulldozed – along with all the history embedded in those bricks – unless people who care get involved. A developer is looking to tear down several more buildings along Nashville’s 16th Avenue to erect what’s called a ‘six-story boutique office building.’

Among the structures under threat: the Rhinestone Wedding Chapel, and Big Spark Music. But perhaps the most visible and well-known of the threatened businesses is Bobby’s Idle Hour. The 16th Avenue tavern has been the haunt of singers, songwriters, music biz workers, area residents and tourists for decades.

According to a story in The Tennessean (May 23, 2018) Warner/Chappell Music’s publishing building, the Ed Bruce Agency and the building that formerly housed the Creative Soul Music Academy and are also under threat.

Replace with office block

The plans to tear down the buildings and replace them with an office block have been proposed by Panattoni Development Co, who recently constructed the building that now houses SESAC and the Country Music Association at 35 Music Square East.

Take a listen here to the poignant song, ‘Saying Goodbye to Sixteenth Avenue,’ written by David Dwortzan with vocals by Ron Wallace and video by Ruth Rosen.

Not so long ago, virtually all the buildings along 16th Avenue and parts of 17th Avenue housed recording studios, record label offices, songwriters’ rooms and video producers’ offices. The unassuming one- and two-story structures still looked like the residences they had once been, quirkily built and often unadorned by commercial signage.

But over the past few years, more than forty buildings along Music Row have been destroyed and replaced by apartment blocks and office buildings. A drive along 16th and then back along 17th Avenue shows that the demolition and construction continues, seemingly unabated.

Timely action saved RCA Studio A

Continue reading “Music Row is disappearing, brick by brick”